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DEITIES, PHILOSOPHERS & BHAKTS​

Symbolism of Shiva

11/24/2023

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Symbolism of Shiva
 
Shiva (Sanskrit: “Auspicious One”) is aspect of supreme being, explained as Brahman in the Upanishads that continuously dissolves to recreate the universe. Shiva, i.e., formless, pure, eternal, root of cosmic sound “Om”, originator of Vedas, creator of oldest language “Sanskrit” and dance. Shiva is known by many names – Mahadeva, Mahayogi, Pasupati, Nataraja, Bhairava, Vishwanath, Bhava, Bholenath and so on. Shiva is All and in all, the creator, preserver, destroyer, revealer and concealer. Shiva is the original creator of world, language, dance, music, yoga etc.
 
According to the Shiva Purana, Brahma lacked the power to create women, until Shiva appeared before him in the androgynous form of Ardhanarishvara, “the Lord whose half is woman”, the right being the male manifestation.
 
Panchanana Form of Shiva -
In some temples Shiva is shown with five faces. Each of the faces has a name and represents a specific aspect. These five faces are Isana, Tatpurusa, Aghora, Vamadeva and Sadyojata.
  1. Isana faces south east and represents Iswara aspect of Shiva known as Sada Shiva, or the Eternal Shiva.
  2. Tatpurusha faces the east. He is Shiva in his aspect as a deluded purusha or ego.
  3. Aghora faces the south and represents the destructive and regenerative aspect of Shiva that, like fire, first devours life and then prepares the ground for its renewal.
  4. Vamadeva faces north. He is healer and preserver.
  5. Sadyojata faces west and represents the creative power of Shiva.
  6. The upper right hand holds a drum or damaru which is a musical instrument that produces rhythmic sounds. It is suggestive of the sound of breath, the sound of life, the vibrations underlying all currents of creation and manifestation. It also represents the vibrations that arise from our thoughts, emotions, mental activity, movement of the senses and the very samsara in which the jivas continue their existence till they find an escape.
  7. The second right hand is shown pointing towards the downside with the palm upside drawing our attention to the figure lying beneath his feet suggesting that the lord is not holding anything back but revealing the knowledge of creation and the secrets of our bondage so that jivas can find means of escape through the assurance they find in his lower left hand.
  8. The upper left hand holds agni, the fire that will destroy the universe.
  9. The lower left hand is held in an assuring mode (abhaya-mudra) suggesting that the jivas need not have to despair and that they can escape from the impurities of samsara (anava, karma and maya) and achieve sameness (saujya) with Shiva through his grace (anugraha) and intervention.
 
Attributes:
Tulsidas ji who composed Ram Charit Manas, has explained the various attributes of Shiva in the devotional hymn "Rudrashtakam" appear in the Uttara Kand of Ram Charit Manas. The above hymn explains the attributes of Shiva as under:
 
  1. who is omnipresent, embodiment of nirvana bliss, having full knowledge of creation of Brahman (universe), originator of the Vedas,
  2. who dwells in his own self, who is quality-less, beyond attributes / origin of qualities, hence cannot be measured by standards of qualities,
  3. who is immutable, who is desire less, who is immeasurable like the sky,
  4. who dwells in the sky,
  5. who is formless,
  6. who is root of Om (sound of universe),
  7. who is always in “Turiya” (the fourth and sublime state of existence),
  8. who is beyond the scope of voice, knowledge and words,
  9. who dwells on Mount Kailash,
  10. who is fierce, destroyer of death / Mahakaal, benevolent and compassionate,
  11. who is treasury of all qualities, beyond the mundane universe,
  12. whose face is sweet & fair like snowy mountain,
  13. who is so deep that to understand him one has to go to absolute depth of divinity, who is mind of all beings / elements, 
  14. who is of immense splendour, beautiful bodied with shiny forehead, wavy and enticing sacred Ganges flows from his head, a young moon is shining on his forehead, who wears snake garland around the neck and lion skin around his waist,
  15. who is eternal bliss, and Who absolves abundant passion (absorbs happiness which comes from materialistic wishes)
Symbolism of attributes:
  1. Unclad body smeared with ashes –
This attribute represents the transcendental aspect of his nature. Since most things reduce to ashes when burned, ash symbolizes the physical universe. The ash on the body of Shiva signifies that Shiva is sources of entire physical universe which emanates from him and Shiva is beyond the realities of life and death.
 
The ash is not a normal one, but instead the ash from a cemetery. It corresponds to the Hindu philosophy of life and death, that death is the ultimate reality of life. The ashes represent a reminder that all of material existence is impermanent, comes to an end becoming ash, and the pursuit of eternal Self and spiritual liberation is important.
 
  1. Matted Hairs –
The symbol of matted hair is that Shiva is the Lord of Wind or Vayu, that every moment, all living beings breathe him. It represents Shiva as the Pashupatinath, the Lord of All Living Beings.
 
The three matted locks on the head symbolizes the idea of integration of physical, mental and spiritual energies is the ideal of yoga. So, Shiva is master of yoga.
 
  1. Ganga –
Ganga flowing from his hairs denotes Shiva destroys sin, removes ignorance, and bestows knowledge, purity and prosperity to devotees. Shiva is called Gangadhara as holding mother Ganga on his head.
 
  1. The crescent moon –
The moon is the measure of time. Waxing and waning of moon symbolizes the time cycle. In earlier times, time was measured by the waxing and waning of the moon. Crescent moon is the ornament of Shiva which signifies Him as eternal reality and his control over time. So, He is called Chandrashekhara. It helps him in concentrating while He is meditating but he always remains conscious even if he is intoxicated.
 
  1. Three eyes –
The two eyes indicate his activity in the physical world, while the third eye is the eye of spirituality, one who sees beyond the obvious. His third eye can look beyond obvious and annihilate any negative energy. The third eye is a symbol for Shiva devotees to develop the sight of spiritual wisdom. Our two eyes are not always sufficient to judge things and know realities. The third eye is representation of the Pineal gland. Proper activation of this gland can help in proper meditation, spirituality and intelligence. Shiva’s third eye represents the rejection of desire. He is three eyed Lord, Triyambhkam.
 
  1. Neelkanth -
Symbolically, the blue throat denotes him being willing to undergo any distress for the sake of happiness of others. The blue colour symbolizes poison or negative thoughts. Thoughts, which should neither be digested or spitted out, but kept temporarily, to neutralize at an appropriate time.
 
  1. Half-open eyes –
The half-eyes show that creation is an eternal cyclic process that has no end or beginning. When he opens his eyes completely, then a new cycle of creation begins, and when he closes them, then the universe is destroyed until the next phase of creation. It also symbolizes yogic posture.
 
  1. Kundalas (Earings) –
Two kundalas – Alakshya (i.e., which cannot be shown by any sign) and Niranjan (i.e., that cannot be seen by mortal eyes) in the ears of Shiva signify that He is beyond ordinary perception. Interestingly, Shiva is always shown with a larger Kundala in the right ear and a smaller in left. The right Kundala denotes the male attributes of existence while the left Kundala denotes the female aspects. He wearing them together denotes male-female equality in the universe, akin to Shiva-Shakti.
 
  1. Snake around the neck –
Snake symbolizes yogic power of Shiva which dissolves and recreates the universe. The coiled snake around Shiva's neck also reminds devotees to keep their ego under control. When the ego is in check, peace prevails in life forever. Interestingly, Shiva is also known as Nageshwar, meaning Lord of the snakes.
 
  1. Vasuki Naga –
Shiva is shown with a snake coiled three times around the neck and is looking towards the right side. Three coils represent the past, the present and the future. The coiling signifies the creation is cyclic in nature and time dependant, but Shiva Himself transcends time. Shiva wears the snake as an ornament, signifying he is above time and death.
 
The right side of the body symbolizes the human activities based upon knowledge, reason and logic. It signifies Shiva preserves natural order in the universe.
 
The snake also denotes dormant energy of a man, also called Kundalini energy.
 
  1. Rudraksha Necklace –
Rudra means uncompromising and aksha means eyes. Rudraksha illustrates that He uses His cosmic laws firmly - without compromise – to maintain law and order of universe. The necklace has 108 beads which represent the elements used in creation of universe. 108 beads also signify that nine planets revolve through twelve zodiacs.
 
It is believed that the Rudraksha contains the secrets of the entire evolution of Cosmos within it. Disciples devoted to Lord Shiva always wear Rudraksha to lead a peaceful life and also for deeper meditation. It helps maintain good health, gain self-empowerment and lead a fearless life.
 
  1. Trident or Trishul –
Trishul or trident represents the three aspects of consciousness — waking, dreaming and sleeping, and it also represents the three gunas — sattva, rajas and tamas. Holding a trishul signifies that Shiva, Divinity, is above all the three states — waking, dreaming and sleeping; yet is the upholder of these three states. The Three powers are Will (ichcha), Knowledge (jnana) and Action (kriya). It also represents that the evildoers are punished by the Lord in three planes: spiritual, subtle and physical.
 
  1. Damaru -
The two sides of damaru represent two states – unmanifest and manifest. When damaru is vibrated, it produces two dissimilar sounds which are fused together by resonance to create one sound. The sound thus produced symbolizes Nada, the cosmic sound “Shabda Brahma or Om” which can be heard in deep meditation. According to Hindu scriptures, Nada is the source of creation.
In the scriptures, it is said that when Shiva mode of creation, his damru vibrates 14 times. These 14 basic formulae contain all the alphabets in Sanskrit arranged in ways to facilitate various grammatical processes. Therefore, the Damaru represents alphabets, grammar, and language itself.
  1. Kamandalu –
Kamandalu is another accessory of Shiva. It’s a water pot made from dry pumpkin and it contains Amrit. It represents the Yogi side of the Lord, but it has a deeper meaning. Just like how the rice pumpkin is plucked from the plant, with its fruit removed and the shell cleaned to carry the pure Amrit, an individual must give up the attachment of material world and remove the self of egoism, in order to experience the bliss of the self, symbolized by the nectar in the kamandalu.
 
  1. Tiger Skin -
Tiger skin symbolizes the potential energy. Shiva on his own divine will activates the potential form of creative energy to project the universe in the endless cycles.
 
The tiger in Hindu dharma represents the vehicle of Shakti, the Goddess of power and force. Shiva wearing the tiger skin represents his power and that he is the master of Shakti that goes beyond any other force.
 
Tiger also represents lust, and Shiva sitting on it shows that he has conquered lust.
 
  1. Nandi –
Nandi is the vehicle of Shiva, and it symbolizes both power and ignorance. The bull is called “vrisha” in Sanskrit, and it means “righteousness”. Nandi with Shiva, thus, symbolizes Shiva as a companion of righteousness.
 
  1. Mount Kailash –
Mount Kailash is abode to Lord Shiva, and according to the Hindu dharma, the mountain is said to be the centre of the universe. It means that Shiva is Kailash, the bestower of peace.
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Vedic Deities

10/13/2023

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In Vedic period, the people felt the presence of Supreme Being (Omniscient, Omnipresent & Omnipotent) presiding over the forces of nature existed in the three realms of universe and connected with the almighty by worshiping these visible forces. The importance these deities continued three yugas (Satya, Treta & Dwapar). In Dwapar yug, Kunti, wife of Pandu, conceived her sons’ using mantras of Vedic deities - Karna from Surya, Yudhishtra from Yamraja, Bhima from Vayu, Arjuna from Indra, Nakul & Sehdev from Ashvins. Even today, the worship of Vedic deities brings not only material prosperity but also spiritual enlightenment.
Internal Relevance of Vedic Deities:
Sri Aurobindo, modern philosopher highlighted the relevance of each deity in the human body and the hymns dedicated to the deities (devatas). The human body is similar to the body of the Cosmic Self, Purusha, who manifested in creation as the Lord of the Universe. The Vedic deities preside over the various attributes of human body.
 
  1. Indra is the God of Prana or the awakened life-force.
  2. Agni is the God of consciousness, awareness and mindfulness. His symbol is the sacred fire.
  3. Soma is the mystic plant that yields the nectar of immortality. He is also the Moon and the lord of the waters. He symbolizes bliss, Ananda.
  4. Surya is the Sun which is the visible face and presence of the Deity. He symbolizes the enlightened mind and creative intelligence. He is the Divine creator and transformer.  
  5. Varuna, the lord of the cosmic ocean and the Divine judge;
  6. Mitra the Divine friend and lord of compassion and
  7. Savitar, the Sun God of creative intelligence.
  8. Usha, the Goddess of the Dawn or spiritual aspiration;
  9. Sarasvati, the Goddess of the Divine Word, of wisdom and inspiration;
  10. Aditi the Goddess of Infinite Oneness and Wholeness;
  11. Apas, the Cosmic Waters.
  12. Brahma, the creator, is Brihaspati, also called Brahmanaspati, the priest of the Gods.
  13. Vishnu, the maintainer, is an important form of the Sun God and later all forms of the Sun God were merged into him.
  14. Shiva, the destroyer, is present as Rudra, the seldom invoked but very much respected and feared father of all the Gods.
Vedic Deities of the three realms:
The cosmic manifestation is grossly divided into three worlds, the upper, lower and middle regions. In Rig Veda (Mandala 3.62.10), the highly revered mantra i.e., Gayatri Mantra is mentioned. Its recitation is traditionally preceded by Om and the formula bhur bhuvaḥ svaḥ. Om - Primeval sound; Bhur - Earth, Physical realm, Human Body; Bhuva - Antariksha, Intermediate Space, Consciousness, Prana, Vital energies; Suvah - Sky, Heaven, Soul, Spiritual realm, bliss.
The Vedic Deities are classified into these three realms:
 
  1. Terrestrial Gods – Prithvi - Earth; Agni - Fire; Soma – a type of plant; Apas - the waters;
  2. Atmospheric (mid-region) Gods – Indra - the God of Thunder and Rain; Vayu or Vata - Air; Maruts - the Wind Gods; Parjanya - the God of rain and water
  3. Heavenly Gods – Varuna - the all-comprehending sky; Ashwins - representing the morning and evening stars; Surya – Sun as source of light, Savita & fertility; Savitri – solar deity before sunrise; Mitra - as beneficent energy; Usha – the dawn; Dyaus Pita - the shining sky, Father Heaven; Pushan - as source of plant life and agriculture; Vishnu - as the swift moving Sun; Adityas – the gods of light & rays;
 
Based upon the number of invocations available in the Vedas, two other categories of the following Vedic deities were worshipped:
  1. Abstract Gods – Shraddha – faith; Manyu – anger; Dhatr – Creator; Vidhata, Ordainer; Vishwa & Arma - Creator of cosmos; Prajapati - Lord of creatures; Hiranyagarbha - the Implicit; Brahmanaspati - Lord of prayer; Viratpurusa - Over soul
  2. Minor Gods – Ribhus - celestial elves, artists who formed the horses of Indra; Apsaras - water nymphs; Gandharvas, celestial spirits
 
Characteristics of Prominent Vedic Deities:
  1. Indra (God of thunder and storm): Indra is the king of all Devas in Rigveda. Dyou is Indra’s father. Agni and Pusha are his brothers and Indraani (Shachi Devi) is his wife. According to Rig Veda, Indra is endowed with three special characteristics –
    1. The master of unparalleled might. His most famous achievement was slaying of Vratasura,
    2. The vanquisher of the Asuraas. Indra’s favourite weapon is the thunderbolt – Vajra. Twashta designed this deadly weapon for Indra.
    3. He rides a white elephant called Airavata,
(Elaborate details in separate article)
 
According to the Kena Upanishad, he is the only god to have gone nearest to Brahman and was to know Him as Brahman. Humans worshipped Lord Indra as the strength until the completion of the first three ages. Till the completion of the third age (Dwapar yug), the idea of Supreme Being had been established in peoples’ minds. Lord Krishna had stopped the trend of Indra worship in his childhood and humans started a trend of worshipping Krishna in the name of Gowardhana.
 
  1. Agni (God of fire): Agni is the second most important deity in Rigveda. No religious activity is possible without Agni. (Elaborate details in separate article)
 
  1. Varuna (God of sky): After Indra and Agni, Varuna enjoys the third place. He is depicted as the rider of a chariot drawn by seven swans, with four hands and an umbrella over his head. In some images the swans are replace by a crocodile, suggestive of his lordship over the aquatic life. He is the ruler and administrator of the world. He makes people follow the law. Born to Aditi, and friend and brother of Mitra, Varuna is the protector, "the Holy One, helper of all mankind. He causes the rains to come down and the sun to travel. He makes the rivers flow.
 
  1. Maruts: Maruts is a group of deities and therefore they are always addressed in plural. They are known as the sons of Rudra and Prushni. Maruts are powerful and destructive storm gods. When they inundate the earth they spread forth darkness even in day time, with the water filled rain clouds. The Maruts give strength to the worshippers to make them invincible in battle, bring wealth to the people, increase their progeny and prolong life.
 
  1. Vishnu: Though a minor deity in Rigveda, Vishnu attained great importance later. Actually, Vishnu means the Sun. He is a lover and protector of devotees.
 
  1. Surya (sun god): Physical Sun itself is Surya Deva. He rides the skies in his golden chariot, drawn by seven bay horses. He is also depicted as provider of good health, who removes the heart disease and takes away the yellow hue (jaundice) to be given to the parrots, starlings and haritala trees. In the Vedic symbolism, Surya symbolizes Brahman.
 
  1. Savitr: A solar deity, he is regarded as the sun before sun rise. Savitr is considered to be the goal, the purpose and the object of meditation. When he descends into the consciousness, a golden disc with bright pointed rays, the inner world is lit up with the splendour of God and indescribable beauty. He is an upholder of law and forgiver of penitent sinner. The Gayatri mantra is addressed to Savitr of adorable splendour for the enlightenment of human consciousness.
 
  1. Pushan: Pushan is a pastoral god. Pushan is described as the lord of all animate and inanimate living beings and the protector of the paths. He protects people from wild animals and makes their paths in solitary places pleasant to tread. Pushan is the guardian of cattle. Pusan stirs our thoughts, drives away the enemies, and inspires the miserly to make generous donations.
 
  1. Mitra: Mitra is a close friend of Varuna. Together they uphold the law, cause the cows to stream, the plants to flourish, and, "scattering swift drops, send down the rain-flood". In course of time, Mitra came to be associated with morning light, while Varuna with night sky.
 
  1. Usha (goddess of dawn): Usha is dawn, lady of the light, who rouses all life. She is the presiding deity of beauty, grace and charm. She brings not just light to the sleeping mankind, but hope, happiness, riches and all the good things.
 
  1. Soma (God of drink): Soma (Ephedra) plant with yellow stalks is used as the drink of longevity. Soma is the god of inspiration. It stirs the minds, lures the gods and brings them to the place of worship. He brings joy into the lives of people, cures them from diseases and leads them to the worlds of bliss and immortality.
 
  1. Ashvins: Ashvins are swift-footed lords of bliss, are riders on the horse (the Ashwa), effectual in action, powers of movement, fierce-moving in their paths. Their common character is that they are god of enjoyment, seekers of honey; they are physicians, they bring back youth to the old, health to the sick, wholeness to the damaged. The twin deities descend to earth thrice a day to help the mankind with their restorative and curative powers. The Ashvins are considered to be the brothers of Usha, the goddess of dawn and may actually represent twilight, when darkness and light appear intertwined on the horizon just before dawn as well as before dusk.
 
  1. Brihaspati (Brahmanaspati): Brihaspati, the healer of disease, protector of bodies, gives wisdom & wealth, increases the agricultural produce and protects the heroes in the battle field from enemy heroes. He is the priest of heaven who makes the oblation prosper. He promotes the course of sacrifice. Without Brahmanaspati, no sacrifice is complete. He is the leader of the songs and also the Law maker, whom both gods and mortals listen. He inspires the heroes with his gifts and his blessings.
 
  1. Bhaga: He is a giver and supporter and bestower of bliss.
 
  1. Rta: Rta is the rhythmic pattern of the universe. It determines the usual paths by which the heavenly objects, the sun, the moon, the stars, the nine planets, conduct themselves. Rta is responsible for the manner in which the seasons (ritus) come and go, the way the rains fall upon the earth, the way the crops are harvested, the way the people live and die, and the cattle yield wealth through milk and progeny.
 
  1. Rbhus: The Rbhus are wise and skilful craftsmen, dexterous-handed, deft in work and gracious, who are said to be the sons of Sudhavan. Rbhus bring prosperity. 
 
  1. Vaata: Vaata is the deity of air. He is considered as the inspirer and soul of Vaayu. Vaata is the respiration of the Devas like Rudra, Vaata cures diseases and enhances the life span. He is only heard and cannot be seen.
 
  1. Vaastoshpati: He bears similarity to soma in characteristics. The Vaastoshpati sukta is employed during house-warming ceremony. According to Rigveda the blessings of Vaastoshpati should be sought by householders seeking the entire necessary objects essential to run a household.
 
  1. Vaak: The Rigveda describes Vaak as the presiding deity of speech. Through here brilliance she transforms her devotees into Rishis, Brahmana and erudite. One should recite the Vaak sukta to attain great oratory skills.
 
  1. Vayu: He is swift as mind, the thousand-eyed and the Lords of thought. He is praised in the hymns as the Intelligence, who illumines the earth and heaven and makes the Dawn to shine. In the post Vedic period, Vayu became the lord of the north western quarters and father of Hanuman and Bhima, symbols of immense strength, loyalty and brotherhood, which were the original qualities of Vayu as a trusted friend of Indra and protector of people. Blue in colour, he is depicted with four hands. He holds a fan and a flag in two hands while the other two are held in abhaya and varada mudras (postures).
 
  1. Rudra: Rudra is described as the father and master of the Marutas, with fear-inspiring abilities. He is the most powerful. Rudra is known as Aadi Deva; the first deity. Rudra is the deity of health and medicinal plants as well. The Rudra of the Rigveda is a militant god of storms and lightening and a "provider of medicines". Rudra is also believed to be an early form of Lord Shiva, the lord of destruction.
 
  1. Yama (god of death): The word Yama is derived from the root `Yam’ and means the controller of all beings. The suktas related to Yama are recited during the last rites of a man - burning the dead body on/in a pyre. Yama is shown as riding a He-buffalo, carrying a mace as his weapon and holding a noose. He uses the noose to drag the deceased beings to the hells. Sitting on a throne he reviews the deeds of men and accords punishment.
 
  1. Prajanya: Prajanya is a rain god. He is the slayer of demons, who sends the rains down. He made the desert places fit for travel probably by bringing the rains. When Parjanya fills the sky with rain-cloud, the winds burst forth, the lightning flashes, the plants shoot up, food springs abundantly for all creatures and earth bows low before him. Prajanya is also upholder of law who punishes the sinners and protect the people.
 
  1. Sarasvati: She is depicted as a river goddess. She is the giver of opulence, strength and wealth. Sarasvati subsequently became a goddess of learning and consort of Brahma. But in the Rigveda, she is a river goddess with seven sisters, who helps the gods, destroys their enemies and provides waters to the five tribes. There is no association with either Brahma or with learning.
 
Hymns of Vedic deities in Rigveda:
Each hymn in Rigveda is given to a certain deity (devata) and that particular Deva is worshipped through hymns in his praise. The main deities are Indra, Agni, Soma and Surya. Each of the Gods has his consort, like Indra and Indrani, Varuna and Varunani. There are 33 Devas in Rigveda. The prominent deities are:
The number of hymns in Rigveda are dedicated the Vedic deities are mentioned in bracket witnessing their importance - Indra (250), Agni (200), Soma (123), Ashvins (56), Varuna (46), Maruts (38), Mitra (28), Ushas (21), Vayu (12), Savitr (11), Rbhus (11), Pushan (10), Apris (9), Birhaspati (8), Surya (8), Dyauṣ Pitr and Pṛithvi Matr (Heaven and Earth) 6, plus 5.84 dedicated to Earth alone; Apas (6), Adityas (6), Vishnu (4 plus 2 paired hymns 1.155 dedicated to Vishnu-Indra & hymn 6.69 dedicated to Indra-Vishnu, total of 5 i.e. 4+1/2+1/2), Brahmanaspati (6), Rudra (4 plus a paired hymn 6.74 dedicated to both Soma-Rudra. A total of 41/2 i.e. 4+1/2), Dadhikras (4), Yama (4), Sarasvati (3), Parjanya (3), Vac (2), Vastospati (2), Vishvakarman (2), Manyu (2), Kapinjala (the Heathcock, a form of Indra - 2) and minor deities (one single or no dedicated hymn).
Some dedications are to paired deities, such as Indra-Agni, Mitra-Varuna, and Soma-Rudra, here counted double. Visvedevas (all gods together) have been invoked 70 times.
Reference:
  1. The Secrets of Rig Veda, by Sri Aurobindo
  2. Hinduwebsite.com
 
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Incarnations of Shiva – Shiva Purana

3/18/2023

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Incarnations of Shiva – Shiva Purana
In the Section 3 of Satarudra–Samhita of Shiva Purana, the countless incarnations of Shiva are mentioned. These incarnations are in fact symbolize the scheme of creation and maintenance of the universe. Other incarnations are for the benefits of devotees and protecting them from evils.

Pancha Brahmans:

The five famous forms of Shiva are named Ishana, Tatpuruṣa, Aghora, Vamadeva and Sadyojata. Each form stands in relation to a particular element or organ as follows.
  1. Ishana – At cosmic level, it presides over the individual soul, the enjoyer of Prakriti. In bodily & subtle level, this form of Shiva is the permanent lord of the ear, sound, mouth (subtle element) and the all-pervading sky.
  2. Tatpurusa - the second form presides over gunas (the object of enjoyment) of Prakriti. In bodily & subtle level, Tatpuruṣa is the lord of touch perception, hands & skin and at subtle level, touch and the wind element.
  3. Aghora - the third form presides over the principle of intelligence with all its ramifications for the sake of Dharma. The form Aghora supports the eyes & legs and subtle level, the sense of taste & colour and fire.
  4. Vamadeva – This form presides over the ego at cosmic level. It is the lord of the organs of taste & excretion and subtle level, the sense of taste and water.
  5. Sadyojata - The fifth form of Shiva is Sadyojata who presides over the mind and is lord of the organs of sex & smell and subtle level, the sense of smell & earth.
 
Significance - These five faces symbolize the scheme of creation evolved out of twenty-five constituents viz. five gross and five subtle elements, five organs of action and five of knowledge, besides mind, ego, intellect, nature and the individual soul.
 
Ashtmurti Incarnations:
The universe consists of the eight essentials viz. earth, water, fire, wind, ether, soul, sun and moon.  These essentials are eight incarnations of lord Shiva i.e., Rudra is fire, Sarva is water, Pasupati is plants, Ugra is air, Asani is Vajra, Bhava is Indra, Mahadeva is moon and Ishana is sun.
Significance - These eight incarnations made the whole world function

Incarnation as Ardhanarishvara:

Brahma performed a great penance to enable creation produced by couples. Then the delighted Shiva appeared. Brahma said, “the gods and others were mentally created by me. But they do not multiply themselves. Hence, they are being created again and again. Hereafter I wish to make all my subjects flourish by making the creation originate from pairs.”
Shiva spoke to Shakti: “O goddess, yon have been propitiated by Brahma, through his penance. Lovingly become pleased with him and fulfil his desires.”
Receiving that behest of lord Shiva with her bent head, the goddess became the daughter of Dakṣha on the importunity of Brahma. Ever since then, creation became copulatory. 
Significance - Ardhanarishvara (half-male and half-female) is symbolical of the process of creation by copulation.

Twenty Incarnations:

In the ninth aeon of Dvapara of the seventh Varaha Kalpa, in the Vaivasvata Manvantara, Shiva’s ninth incarnation was as Rsabha to stabilize the path of yoga.
Other nineteen incarnations of Shiva took place in other aeons of Dvapara. They were Gangadvara, Satatejas Vyasa (reviver of path of renunciation), Sage Bali, Gautama in the family of Angiras, Vedasiras, Gokarna, Guhavasin, Sikhandin, Jati, Malin, Attahasa, Daruka, Suṣmayaṇa Vyasa, Sveta, Sulin, Sakti Vyasa, Sahisnu, Somasarman and Krishna.    

Incarnation as Nandi:

Silada, a great sage did a severe penance of Shiva and sought a boon for a son equal to him, devoid of death and not born of a womb. Shiva granted the boon and said: “I shall become your son by the name of Nandi. I shall not be born of a womb. Thus, you shall be my father, of me who am the father of the worlds.

Incarnation as Bhairava:

When deluded by maya, Brahma made fun of Shiva’s form who appeared out of mass of flame, Shiva created Bhairava. Bhairava was with terrifying features. Kala-Bhairava, in a trice, cut off Brahma’s fifth head with the tip of the nails of the fingers of his left hand.
Significance - To detach 5th head of Brahma and latter to remain as protector in Kashi and to devour sins of those people who reach Kashi.

Incarnation as Sarabha:

Another incarnation of Shiva was Sardula. For the benefit of the gods, the wonderfully divine form of a Sarabha (the mythological animal with eight legs and capacity of killing lions) of blazing fire-like lustre was assumed by lord Shiva to control Ugra Narasimha from destroying the Universe.
Significance - To control Ugra Narasimha from destroying the Universe.

Incarnation as Agnishvara:
Grhapati, a son of Brahamin, did great penance of Shiva and secured the title of Agni and the boon that the phallic image installed by him, will be known as Agnishvara and it will be conducive to the enhancement of all splendour.
Significance - A person who worships Agnisvara, the bestower of prosperity, at Varanasi, is honoured in the region of fire even if, by chance, he dies elsewhere.

Incarnation as Yakṣeshvara:

When the gods and the Daityas have churned the milk ocean to get nectar, poison blazing as the fire of dissolution came out at first. They were highly agitated and frightened and sought refuge in Shiva. Shiva quaffed off the terrible poison afflicting gods and Asuras. Shiva retained obliquely the acute poison that he drank, in his neck. He shone much thereby and became Blue-necked. Released from the burning sensation of the poison thanks to the blessings of Shiva, the gods and the Asuras began to churn again. The nectar came out after many gems which was drank by the gods, thanks to the favour of Vishnu. Then a great battle ensued between them inflicting pain on both. The moon was eclipsed by Rahu and fled in terror of Rahu. He went to the abode of Shiva extremely agitated by fear and sought Shiva’s protection. The, Shiva wore the moon on his head as the latter had sought refuge. Then Rahu too, came there and eulogised lord Shiva with reverence. Realising his desire, Shiva fixed on to his neck his head that had been formerly cut off by Vishnu, and that was known as Ketu. Then the Asuras were defeated by the gods in the battle. By drinking nectar, the gods had become powerful and gained victory.
Deluded by Shiva’s Maya, Vishnu and others became very haughty. Then Lord Shiva, the suppressor of arrogance, became a Yakṣa. He hastened to the place, where the gods were stationed. Yakṣeshvara said to them: — “O gods, why have you all assembled here. What is your goal? Tell me the reason as I ask unto you.”
The gods said: — “O lord, a terrible battle took place here wherein all the Asuras were killed. The few that remained fled away. We are great heroes and powerful slayers of the Daityas. How insignificant in strength are those Daityas in front of us!”
On hearing the arrogant words of those gods, lord Shiva, in the form of Yakṣa said: --
“O gods, do not be arrogant. There is another lord who is the creator and annihilator. You have forgotten the great lord. You boast too much but you are devoid of strength. If you are proud and think that you know your strength to be great, O gods, split this blade of grass placed by me, with your own weapons.”
Then Vishnu and other gods professing to be heroic exerted their manliness and hurled their respective weapons. But the weapons of the gods, were rendered fruitless before the power of Shiva. Then a celestial voice arose that dispelled the surprise of the gods — “O gods this Yakṣa is Shiva who removes the arrogance of the arrogant.”
O hearing the celestial voice they became divested of their arrogance. They had realised Yakṣeshvara. They bowed to and eulogised him.
Significance - Yakṣeshvara incarnation of Shiva, that dispels the arrogance of the arrogant and lets the devotion of the good flourish.

Ten Incarnations & their significance:

  1. Mahakala is the bestower of worldly pleasures and liberation to the good. His shakti is Mahakali.
  2. Tara. Śakti, confer worldly pleasures and salvation on their attendants. His shakti is Tara.
  3. Bala bestows pleasure on the good. Shakti is Shiva.
  4. Shrividyesha Ṣoḍassha confer pleasure on the devotees and yield worldly pleasures as well as salvation. Shakti is Srividya.
  5. Bhairava bestows desires on the devotees. Shakti is Bhairavi.
  6. Chinnamastaka confers desires. Shakti is Dhumavati.
  7. Dhumavan is the bestower of the fruits of all desires. Shakti is Dhumavati.
  8. Bagalamukha and Shakti is Bagalamukhi who is also famous as Mahananda.
  9. Matanga bestows the fruits of all desires. Shakti is Matangi.
  10. Kamala is the bestower of fruits of worldly pleasures and salvation. Shakti is Kamala.
Significance - These ten incarnations of Shiva the great soul bestow different kinds of pleasures on those who always resort to them without aberrations. The different Shaktis are considered in such activities as destroying enemies etc. They punish the wicked and enhance Brahminical splendour.

Eleven Incarnations:

Kashyapa, the father of asuras, did great penance of Shiva. Shiva on being pleased, was born in eleven forms to Surubhi, the wife of Kashyapa. These eleven Rudras are Kapali, Pingala, Bhima, Virupakṣha, Vilohita, Shastṛa, Ajapada, Ahirbudhnya, Shambhu, Chaṇḍa and Bhava.
Significance - The ten Pranas in the body, with the Atman as the eleventh. When they depart from this mortal body, they make one's relatives weep. Because they make them weep (rud), therefore they are called Rudras.

Incarnation of Hanuman:

Significance - To help Lord Rama in Ramayana.

Incarnation of Mahesha:

Significance - Urged by the friendship with Bhairava Lord Shiva incarnates as Mahesa to play with him.

Incarnation of Bull:

Significance - To bring back Lord Vishnu from Patala.

Incarnation of Pipplada:

Significance - To subdue the pride of Saturn and thus helping people to overcome affliction of Saturn.

Incarnation of Vaisyanatha:

Significance - To redeem a prostitute named Mahananda who was devotee of Shiva, Lord Shiva goes to her house taking form of Vaishya and finally takes her to Shiva Loka.

Incarnation of Dvijaswara:

Significance – To test of king Bhadryu by taking form of a Brahmin.

Incarnation of Yatinatha Hamsa:

Significance – To test of a Bhilla (tribe race) by taking form of Yatinatha.

Incarnation of Krishna Darshana:

Significance - Lord Shiva taking the form of Krishna Darshana shows that the part left after the Yajna also belongs to him, also Instructs Nabhaga.

Incarnation of Avadhutesvara:

Significance - Taking the form of Avadhuta Lord Shiva subdues arrogance of Indra and the birth of Jalandhara is triggered from this event.

Incarnation of Bhikshuvarya:

Significance – To dispel the suspicion of Brahmin women.

Incarnation of Sureshwara:

Significance - Taking the form of Indra Lord Shiva tested devotion of Upamanyu.

Incarnation of Jatila:

Significance – To test the Penance of Parvati by taking the form of Jatila.

Incarnation of Sunartakanata:

Significance - Taking the form of Sunartakanata Lord Shiva goes to Himalayas house to ask hand of Parvati.

Incarnation of Sadhu Dvija:

Significance - Gods being afraid that Himalaya will attain instant salvation due to giving of Parvati to Shiva request to Shiva to delay salvation of Himalaya. So, Lord Shiva taking the form of Sadhu Dvija goes in front of Himavat and start to insult Lord Shiva.

Incarnation of Ashwatthama:

Significance - Destruction in the 18th night of Mahabharata war is carried out by Ashwatthama and so on.

Incarnation of Kirata:

Significance - Lord Shiva taking the form of Kirata tests the war skill and devotion of Arjuna.
Other incarnations of Shiva are as Durvasa and the Twelve Jyotirlinga are separately published.

Shiva’s incarnations are countless and conducive to the benefit of good devotees. Their number cannot be counted or specified.  

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Tridevi

9/30/2022

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Picture
Tridevi
The Devi in Sanskrit means goddess and is shakti, or the feminine spirit, manifests itself in many forms. She is symbolized as cosmic energy. Energy is the physical ultimate of all forms of matter and the sustaining force of the Spirit. The Devi assumes many aspects, according to the tasks to be performed by Her, sometimes sweet and tender, and at others terrible and devouring. It encompasses and supplements qualities such as strength, transformation, anger, beauty, compassion, fear, and power.

Feminine Tridevi goddesses play eminent roles of Creator (Maha Sarasvati), Preserver (Mahalakshmi), and Destroyer (Mahakali), with the masculine Trimurti – Brahma, Vishnu, and Rudra.

Ma Sarasvati:
Ma Sarasvati represents goddess of knowledge, music, art, speech, learning, and wisdom. The name Sarasvati came from “saras” (meaning “flow”) and “vati” (meaning “she who has …”), i.e., “she who has flow” or can mean Sara meaning “essence” and swa meaning “self.” The earliest known mention of Sarasvati as a goddess is in the Rigveda. Vasant Panchami on the fifth day of spring is celebrated as Sarasvati Puja and Sarasvati Jayanti. She is mother of Vedas.

Sarasvati emerged from Brahma and began to give him direction on creating order in the cosmos; the sun, moon, and stars all came into being. She later became the bride of Brahma.

She is generally shown to have four arms holding a book, a rosary, a water pot, and a musical instrument (Veena) respectively. The book symbolizes the Vedas representing the divine, eternal, and true knowledge as well as all forms of learning. The rosary of crystals, representing the power of meditation, inner reflection, and spirituality. The pot of water represents the purifying power to separate right from wrong, the clean from the unclean, and essence from the inessential. The veena, represents all creative arts and sciences and associated with the love and feelings expressed in speech or music.

A hamsa – either a swan or a goose – is often shown near her feet. The hamsa is a sacred bird, which if offered a mixture of milk and water, is said to be able to drink the milk alone. It symbolizes the ability to discriminate between good and evil. The swan is also a symbolism for spiritual perfection, transcendence, and moksha.

Ma Lakshmi:
Ma Lakshmi, also called Sri, represents goddess of wealth, fortune, and prosperity (both material and spiritual). Her name is derived from Sanskrit root word “Laksya” for knowing the goal and understanding the objective. Lakshmi manifests in eight sources of wealth, the Ashtalakshmi prosperity, fertility, good fortune or good luck, good health, knowledge, strength, progeny, and power.

In the holy book of Shrimad Bhagavata, it is explained that Lakshmi ji came out of the ocean during the churning of the ocean (Samudra Manthan). So, she is known as a daughter of the ocean. She came out of the ocean sitting on a full-bloomed lotus and having lotus flowers in both hands with two elephants by her sides holding beautiful vessels.

Lakshmi has 8 primary forms personified as Ashta Lakshmi (Ashtalakshmi) - Dhanya Lakshmi (Goddess of the Harvest), Adi Lakshmi (Mother Lakshmi resides with Lord Narayana in Vaikuntha), Dhairya Lakshmi (grants the boon of infinite courage and strength), Gaja Lakshmi (She came out of the ocean with two elephants by her sides holding beautiful vessels), Santan Lakshmi (bestowed of desirable children with good health and a long life), Vijay Lakshmi (grants victory & success everywhere, at all time, in all conditions), Dhana Lakshmi (bestower of wealth which comes in many forms: Nature, Love, Peace, Health, Prosperity, Luck, Virtues, Family, Food, Land, Water, Will Power, Intellect, Character, etc.) and Vidya Lakshmi (Grants Vidya with eighteen qualities viz. Serenity, Regularity, Absence of Vanity, Sincerity, Simplicity, Veracity, Equanimity, Fixity, Non-irritability, Adaptability Humility, Tenacity, Integrity, Nobility, Magnanimity, Charity, Generosity and Purity).

Lakshmi is depicted as a standing or siting in padmasana on a lotus throne, while holding a lotus in her hand, symbolizing fortune, self-knowledge, and spiritual liberation. Her four hands represent the four goals of human life – Dharma, Kama, Artha, and Moksha.

Ma Durga:
Ma Durga is the creator and the protector of the universe and the destroyer of evil. In different Yugas for the destruction of the distress of the gods, she assumed different forms and features. She is usually depicted as having eight to ten arms, with just as many weapons gifted to her by various gods to destroy Mahishasura. Her mount is usually a lion.

In Sri Durga Saptashati, appearance of Ma Durga (Mahakali, Chandika, Chamunda etc.) is mentioned.
  1. In chapter 1 - Brahma ji has prayed Mahakali to wake up Sri Vishnu for the destruction of Madhu & Kaitabha. He prayed the mother saying her as - Svaha, Svadha, Hri, the unalloyed intellect, Tuṣṭi (satisfaction), Puṣṭi (nourishment), Shanti (peace), Kṣanti (forbearance), Kṣudha (hunger), mercy, maya of Vishnu, the very consciousness, the great Shakti, Lajja (bashfulness), Tṛṣṇa (thirst), Bhranti (Illusion), Smṛti (Memory), Jati (Birth), Vṛtti (cause of activity) and Vyapti (pervasiveness.). Then, the great Maya stood before Brahma of unmanifested birth.
  2. In chapter 2 - when Mahisasura, the lord of asuras conquered all the devas and started using their ordained tasks, devas had gone to seek shelter of Vishnu & Shiva. The devas saw there a concentration of light like a mountain blazing excessively, pervading all the quarters with its flames. Then that unique energy, produced from the bodies of all the devas, pervading the three worlds with its luster, combined into one and became a female form. Thus, Ma Durga manifested.
  3. In chapter 8 – Shaktis’ of Brahma, Shiva, Guha, Vishnu, Narsimihi, Kaumara, and Indra, came out from Chandika in the form of those devas, whatever his ornaments and vehicle, in that very form his Shakti advanced to fight with the asuras.

In Shiva Purana, The stories of the birth and wedding of Sati and Parvati with Shiva have been lucidly recorded.

Goddess Durga has manifested in nine forms and together called Navadurga. They are worshipped during the nine days of Navratri. Navdurga, All the nine forms of Durga Devi represent nine different qualities.
1.      Shailputri (Daughter of Mountain) – She represents devi in her childhood and has two hands both holding a trident and lotus. She is seated upon the behind of a white bull.
2.      Brahmacharini (Mother of devotion and penance) - She represents the phase of ascetism and has two hands, both of which carried a rosary and a water utensil.
3.      Chandraghanta (Destroyer of demons) - She represents the form of shakti and has ten hands, nine of them are armed by a trident, mace, bow, arrow, lotus, sword, bell and a waterpot, while one other hand blesses her devotees. She is seated upon a fierce tiger.
4.      Kushmanda (Goddess of The Cosmic Egg) - She represents the form of mahashakti and has eight hands, six of which held a discus, mace, lotus, bow, and arrow in one hand, sword, and rosary and the two other hands carried a jar of honey and waterpot. She is mounted upon the back of a lion.     
5.      Skandmata (Goddess of motherhood and children) – She represents stage of motherhood and has four hands, two of which held lotuses, the third holding her son, the six-headed infant Kartikeya seated on her lap, and the fourth saves her devotees. She is seated upon the back of a lion.
6.      Katyayani (Goddess of Power) - She represents warrior stage and is dressed in green and pink vestments. Her four hands each carried a sword, shield, lotus and trident. She's seen seated on a fearsome lion.   
7.      Kaalratri (Goddess of Auspiciousness and Courage) - She represents form of destruction and has four hands all held a trident, scimitar, vajra, and a cup. She is seated upon the behind of a donkey as her vehicle.   
8.      Mahagauri (Goddess of Beauty) - She represents form of recovery and has four hands, three of which carried a trident, mini-drum, and a pink lotus while her one hand promised her devotees protection. She is seated upon a white ox.
9.      Siddhidhatri (Goddess of Supernatural Powers or Siddhis) – She represents form of mahashakti and has four hands carried a discus, conch shell, pink lotus and a mace. She is seated upon a fully bloomed lotus.        

Chausath yoginis (64) - The Saptamatrika (Brahmi, Maheshvari, Kumari, Vaishnavi, Varahi, Indrani and Chamunda) joined by Chandika and Mahalakshmi form the nine Matrika cluster. According to Kaula Tantra, female Goddesses Shaktis emerged from the cosmic soul of the eight principal Deities and formed Kali Durga. These eight manifested each in turn into eight Divine Shakti, thus resulting in the 64 Tantric Yoginis.

Shodash Matrikas (16) – Shodash matrikas are – Gauri, Padma, Shachi, Medha, Savitri, Vijaya, Jaya, Devasena, Svadha, Svaha, Mata, Loka Mata, Hrishti, Pushti, Tushti and Kula Devata.
 
Dus Mahavidya (10) – Devi Bhagwat purana mentions Das Mahavidya which represents ten divine qualities of goddess and worship of these goddesses destroys respective negative tendencies. Das Mahavidya are –
  1. Kali (The Goddess who is devourer of Time),
  2. Tara (The Goddess who Saves, Guides and Protects),
  3. Lalita – Tripura-Sundari (The Goddess, otherwise called Shodashi, is the One who is the most beautiful in the Three Worlds),
  4. Bhuvaneshwari (The Goddess is the Mother of the entire world),
  5. Bhairavi (The Fierce Warrior Goddess),
  6. Chhinnamasta (The Self-Decapitated Goddess, who grasps her own neck),
  7. Dhumavati (The Widow Goddess or the Goddess of death),
  8. Bagalamukhi (The Goddess Who Paralyzes Enemies),
  9. Matangi (The Tantric Saraswati), and
  10. Kamala (The Tantric Lakshmi).
Some of the other Devi-related texts count more than ten forms of Mahavidyas. For instance, Narada Panchatantra says there are at least seventy Mahavidyas; the Nirutta Tantra counts eighteen Mahavidyas; and the Devi Bhagavata specifies thirteen forms of Mahavidyas (Kalika, Tarini, Tripura, Bhairavi, Kamala, Bagala, Matangi, Tripura-Sundari, Kamakhya, Tulja-devi, Jambhini, Mohini, and Chinnamasta).

Another Tantric text Mundamaala –tantra names a slightly different set of thirteen Mahavidyas (Kali, Tara, Tripura-Sundari, Bhairavi, Bhuvaneshvari, Chinnamasta, Bagala, Dhumavathi, Annapurna, Durga, Kamala, Matangi and Padmavati).
In certain other lists, some obscure goddesses: Vasali, Bala and Pratyangira are included.
 
Spiritual Significance of form of Ma Durga:
Ma Durga is depicted as a warrior aspect of Devi Parvati with 8 arms who rides a lion or a tiger.
Lion or a Tiger - It symbolizes unlimited power to protect virtue and destroy evil. The tiger represents power, will and determination. This suggests to the devotee that one has to possess all these qualities to get over the demon of ego.

Eight Hands holding following Objects of Symbolism - This suggests that she protects the devotees from all directions. She carries in the hands such as a mace, sword, disc, arrow, and trident. It conveys the idea that one weapon cannot destroy all different kinds of enemies. Different weapons must be used to fight enemies depending upon the circumstances. For example, selfishness must be destroyed by detachment, jealousy by desirelessness, prejudice by self-knowledge, and ego by discrimination.
Conch - The sound that emanates from a conch is the sound of the sacred syllable AUM (or Om), which is said to be the sound of creation. A conch in one of the Goddess's hands signifies the ultimate victory of virtue over evil and righteousness over unrighteousness.
Trident - The trident is a symbol associated with Shiva, and its three points symbolize the creation, protection, and destruction of the universe. Durga's trident or "trishul" is a symbol of three qualities - Satwa (inactivity), Rajas (activity) and Tamas (non-activity) - and she is remover of all the three types of miseries - physical, mental and spiritual.
Bow and Arrow - The bow and arrows represent energy. By holding both the bow and arrows in one hand "Mother Durga" is indicating her control over both aspects of energy - potential and kinetic.
Thunderbolt - The thunderbolt signifies firmness. The devotee of Durga must be firm like thunderbolt in one's convictions. Like the thunderbolt that can break anything against which it strikes, without being affected itself, the devotee needs to attack a challenge without losing his confidence.
Lotus - The lotus in Durga's hand is not in fully bloomed, it symbolizing certainty of success but not finality. The lotus in Sanskrit is called "pankaja" which means born of mud. Thus, lotus stands for the continuous evolution of the spiritual quality of devotees amidst the worldly mud of lust and greed.
Sudarshan Chakra - The "Sudarshan-Chakra" or beautiful discus, which spins around the index finger of the Goddess, while not touching it, signifies that the entire world is subservient to the will of Durga and is at her command. She uses this unfailing weapon to destroy evil and produce an environment conducive to the growth of righteousness.
Sword - The sword that Durga holds in one of her hands symbolizes knowledge, which has the sharpness of a sword. Knowledge free from all doubts is symbolized by the shine of the sword.
Palm - One of her hands opens the palm to indicate Her blessings.
Three Eyes Like Shiva, Mother Durga is also referred to as "Triyambake" meaning the three eyed Goddess. The left eye represents desire (the moon), the right eye represents action (the sun), and the central eye knowledge (fire).
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Shivalinga – Shiva Purana

7/13/2022

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Shivalinga – Shiva Purana
According to Vayu Purana, in the Holocaust, all creation which gets absorbed and which appears in the reincarnation period is called Linga. For this reason, worship of Shivalinga is a symbol. Shiva Purana is another authoritative Hindu text which explains the various aspects of Shivalinga.

Shivalinga is not just sacred in Bharat. Harappa-Mohenjo-Daro’s archaeological findings also show its importance even in 3,000 BCE from the prehistoric Indus culture.  Romans referred to Lingam as ‘Prayapas’. Romans introduced the worshipping of Shivalinga to European countries. Babylon, an ancient city in Mesopotamia is said to have found statues of Shivalinga during their archaeological findings.

Some compare it to the Chinese philosophy of Yin and Yang. Etymologically and semantically, Yin is said to depict feminine-- the half-unity of consciousness. Yang, on the other hand, symbolises the other half-- the masculine. Jointly they embody the alliance of consciousness in the creation.
The various aspects of Shivalinga as explained in Vidhyeshwara Samhita of Shiva Purana are elaborated hereunder.

Forms of Shivalinga:
  1. Shivalinga is emblem of nirakar (formless) form of Shiva (Chapter 5, shloka 11). Other deities not being Brahman, have no formless aspect (Chapter 5, shloka 13).
  2. Pranav “Om or Aum” indeed has been explained in Vedanta as Shiva (Chapter 5 shloka 15). The syllable Om (A+U+M+bindu) is Dhavni (sound) Linga and Svayambhu Linga is Nada Linga (chapter 16 Shlokas 113).
  3. The first phallic form is the Pranav that confers all desires. If Pranav is undivided (nishkala) where the constituents are not differentiated clearly, it is subtle one. The gross (Sakala) one is of five syllables where all constituent syllables are manifest.  The worship of these two is penance. Both of them accord salvation. The subtle Pranav is of two-fold – the short and the long. The long one is present in the heart of the yogis alone – separately in the form of “A” syllable, “U” syllable, “M” syllable, Bindu and Nada. Shiva - A, Shakti - U and their union are indicated by “M” syllable ramified into three and this called the short subtle Pranav. The short pranava shall be recited and repeated by those who desire their all sins annihilated. (Chapter 17 Shlokas 12-15)
  4. Phallic images are obtained from Salagrama stone, Rasalinga, lingams made of rock, silver, gold, crystals and gems, lingams installed by devas and siddhas, kashmira lingams and Jyotirlingas, the partaking of the Naivedya of Shiva is on a par with the rite of Chandrayana. (Chapter 22 Shlokas 13-14)
  5. There are five types of phallic emblems made of earthly materials – Svayambhu Shiva self-raised), Bindu, Pratishtha, Chara and Guru. (Chapter 18 Shlokas 28-31)
  6. The phallic emblem of shiva made of precious gems is considered best in Satya yuga; of pure gold in the Dwapera; of mercury in Trata and of earth in Kali yuga. (Chapter 19 Shlokas 4-7)
  7. Based on sizes the images are of three types – excellent (4 inches in height), normal (2 inches) and inferior (1 inch). (Chapter 19 Shloka 28)
Importance of marks of Shiva:
  1. Shiva’s name, the ashes and the Rudrakṣha beads—the three are very holy and are on a par with Triveṇi. (Chapter 23 shloka 10) Siva’s name is on a par with Ganga, the ash is equal to Yamuna and Rudrakṣha is equal to Sarasvati. All the three destroys all sins. (Chapter 23 Shlokas 14)
  2. Bilva is symbol of Shiva. It is sacred tree. (Chapter 19 Shlokas 22)

The tripundraka (the three parallel lines of ash marks on the forehead) is the essence of trinity – Brahma, Vishnu and Rudra (Chapter 18 Shlokas 73) He who has the tripundraka made of ashes with water and performs worship derives the entire benefits of the same. (Chapter 18 Shlokas 80)
 
Importance of Propitiation of Shivalinga:
The propitiation of the earthen phallic image is sanctifying, bestower of bliss, longevity, satiety, nourishment and fortune. A devotee endowed with unflinching faith shall worship the earthen phallic image with such modes of service as easily available. It accords achievement of all desired objects. He who worships the earthen phallic image in the three junctures of the threshold division of the day everyday gains the bliss for twenty-one future births. He is honoured in Rudraloka with this body alone. He who worships the earthen phallic emblem of Shiva everyday stays in Shivaloka for so many years. (Chapter 19 Shlokas 17-24)
 
Deities, asuras, persons, Gandharvas, serpents, Raksasas and many others have attained greatness after worshipping earthly phallic image of Shiva. The phallic emblem of shiva made of precious gems is considered best in Satya yuga; of pure gold in the Dwapera; of mercury in Trata and of earth in Kali yuga. (Chapter 19 Shlokas 4-7)
 
The devotees should worship the phallic emblem with sixteen forms of service and homage to acquire the benefits of prakriti and purusha through means of inherent or extraneous. The worship performed on Sundays with Om wards off birth. Abhishek done with five cow products (milk, curd, ghee, cow’s urine & dung (chapter 16 shlokas 109-111)
Pranav recited nine crore times, purify persons. With each nine-crore repetition of Pranav, the person wins over the five elements successively. The egotism is win over with repetition of another nine crore of times. By repeating it daily one thousand times, the devotee becomes perpetually pure. A devotee who completes one hundred eight crores of Japa of Pranav is fully enlightened and shall master suddha yoga. One who has mastered suddha yoga becomes certainly liberated person. The devotee who practices Japa of Pranava with due ritualistic placing of fingers on the body parts (Nyasa) become sage. (Chapter 17 Shlokas 16-26)
Reference: Vidhyeshwara Samhita of Shiva Purana
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Archaeological Footprints of Hinduism – Shree Rama & Shree Krishna Ek Yatharth (Reality)

2/11/2022

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Hinduism, the world's oldest religion, is still commonly practiced. Because of its large following, it's also regarded as the world's third largest religion. The religious practices in many sects and religions such as Jainism, Buddhism, Sikhism etc. are offshoot of Snatana Dharma., commonly called as Hinduism. The archaeological evidences of Hinduism date as far back as 7500 B.C.E. in India. 

There are sufficient archaeological evidences of Shree Rama and Shree Krishna, the incarnations of Vishnu Bhagwan. The conclusive evidences of Archaeological findings of historical persons – Shree Rama and Shree Krishna are as under:

Maryada Purushottam Shree Rama, the historical person:
Valmiki, who wrote the Ramayana, was a contemporary of Shree Rama. While narrating the events in epic, he has mentioned the position of planets. Using the recent planetary software, it is possible these planetary positions actually took place precisely as specified in Ramayana. 

Renowned historian and archaeological researcher Dr. Ram Avtar has unearthed more than 200 such places related to the events of the life of Shri Ram and Sita, where even today there are memorial sites, where Shri Ram and Sita stayed or stayed. The time period of the monuments, frescoes, caves etc. was investigated by scientific methods. However, to make it presentable, a few important places (with present day places) are discussed here:
  1. Birth of Shri Rama – Shree Rama was born in Ajodhya, the most sacred place for Hindus.
  2. Met Kevat - From Ajodhya, they reached the Tamasa river (20 Km away) and then crossed the Gomti river and reached Shringverpur (now called as Singraur), 20–22 km from Prayagraj (Allahabad), which was the kingdom of Nishadraj Guha.
  3. Met Bharata – They crossed Yamuna River at Prayagraj and reached Chitrakoot. The monuments located here include Valmiki Ashram, Mandavya Ashram, Bharatkup etc. Chitrakoot is the place where Bharata reaches with his army to persuade Rama. Near Chitrakoot was the ashram of Atri Rishi located in Satna (Madhya Pradesh). 
  4. Met Atri Rishi - After staying for a few days in the ashram of Atri Rishi, Shri Ram stayed for around ten years in the dense forests of Madhya Pradesh, Chhattisgarh and Andhra Pradesh. This forest area was Dandakaranya (now called as Dantewada, Chhattisgarh). According to local belief, there was a battle between Ravana and Jatayu in the sky of Dandakaranya and some parts of Jatayu had fallen in Dandakaranya. 
 
They went to The Viradha Sarabhanga and Sutikshan Muni Ashrams ahead of The Dandakaranya Area and Satna. There are many monuments in Panna, Raipur, Bastar and Jagdalpur. For example, Mandavya Ashram, Shringi Ashram, Ram-Lakshman Temple etc. Ram have gone to modern Jabalpur, Shahdol (Amarkantak) from there. Shahdol to North East is sarguja region. The name of a mountain here is 'Ramgarh'.     The cistern in which a waterfall falls from a height of    30 feet is called ‘Sita Kund'.   There is a Vashishta cave here. The names of the two caves are Lakshman Bongra and 'Sita Bongra'.  
  1. Met Agastya Muni – Thereafter, they went to the ashram of Agastya Muni in Nashik. Here, Shurpanakha, Maricha and Khar and Dushan was killed.
  2. Search of Sita – Ravana abducted Sita and also killed Jatayu at Sarvatirtha (Sarvatirtha' in Taked village, 56 km from Nashik). Rama-Lakshman reached Sarvatirtha and later reached the region of Tungabhadra and Kaveri rivers. He went in search of Sita to many places in the Tungabhadra and Kaveri River areas.
  3. Met Shabri - After meeting Jatayu and Kabandha, they crossed the Malay mountains and sandalwood forests to reach Rishyamook mountain. On the way to Rishyamook mountain, they visited the Shabari Ashram near the Pampa River, which is located in present-day Kerala. The famous 'Sabarimalaya Temple' shrine of Kerala is situated on the banks of this river.
  4. Met Shri Hanuman – After crossing the Malay Mountains and the sandalwood forests, they proceeded towards Mount Rishyamook. Here he met Hanuman and Sugriva, saw Sita's ornaments and Sri Rama killed Bali. Rishyamook mountain and Kishkindha town is presently located in Hampi, District Bellary, Karnataka.
  5. Gathered at Rameswaram - Rameswaram is a famous Hindu pilgrimage centre. According to the epic Ramayana, Lord Shri Ram worshiped Lord Shiva here before ascending to Lanka. The Shivling of Rameswaram is the Shivling established by Shri Rama.
  6. Reached the nearest place from Sri Lanka - Dhanushkodi is a village located on the southern edge of Rameswaram Island on the eastern coast of the Indian state of Tamil Nadu.
  7. Building Ram setu – The waters of the Palk Strait separate Sri Lanka from the tip of India (Dhanuskodi, Tamil Nadu India and Talaimannar stretches, Sri Lanka). At the narrowest point, the Palk Strait measures about 33 miles (53 km) wide. Sacred to the Hindu religion, the bridge was said to be built by Lord Rama, who visited many towns in the region. Ramayana mentions that the Setu Banda was constructed with floating stones. Surprisingly, such floating stones are scattered across Rameswaram even to this day.

Ram Setu or Adam’s bridge was declared to be man-made by scientists and geologists. After new evidence provided by NASA, this 30 km long bridge was constructed 1.2 million years ago. S. Badrinarayanan, a former director of the Geological Survey of India, a publication of the National Remote Sensing Agency, a spokesman for the Indian government in a 2008 Madras High court case, and an episode from the Discovery Communications-owned Science Channel series “What on Earth” have all either explicitly or implicitly claimed that the ancient Hindu myth of Lord Ram building the structure could be literally true, contrary to the scientific facts of the matter. Recently (January, 2021), the Government of India has cleared the research proposal of Archaeological Survey of India (ASI) involving the Ram Setu. According to a Times of India report, the project involves an underwater exploration that will determine the age of the setu (bridge) and how it was formed. The research will begin in this (2021) year itself.
  1. Reached Sri Lanka - According to Valmiki-Ramayana, there was a palace of Ravana in the middle of Sri Lanka. The whirlpools of tunnels and caves are found in the middle of the high hills of central Lanka towards Bandravela, about 90 km from the 'Nuwara Eliya' hills. Many such archaeological remains are found here, whose carbon dating has been extracted from them.
 
Shree Krishna, the historical figure:
There is sufficient evidence available now to suggest that Shree Krishna was indeed a historical figure, who lived about 5000 years ago. This evidence is not just literary but also archaeological, geographical as well as astronomical, N S Rajaram, author of the book Search for the Historical Krishna.
 
The places mentioned in the history of Shree Krishna such as Mathura, Vrindavan, Gokul, Govardhan, Hastinapur (Meerut), Indraprastha (Delhi), Kurukshetra, Dwarka etc. are the geographical places which are still existing.
 
Dwarka is mentioned in a number of texts, including the Mahabharata, the Shrimad Bhagavad Gita, the Harivamsha as well as the Skanda Purana, and the Vishnu Purana. The Mahabharata says that the city was also extremely well planned: divided into six sectors which were in turn divided into residential, commercial areas and had 9,00,000 royal palaces. It is said that it was submerged in the big flood 9,000 years ago. The astronomical, archaeological and historical evidences of birth of Shree Krishna are provided as under:
  1. Dr S. Balakrishna of NASA, Dr. B N Narahari Achar, Department of Physics, Memphis University, USA, Dr R N Iyengar, Department of civil engineering, Bengaluru,   Dr S Kalyanaraman, Saraswati River Research Centre, Chennai and others submitted papers on the date of Mahabharata war based on astronomical data with the use of planetarium software during two-days seminar in Bengaluru in January, 2003 and agreed that there does not exist any contradiction between any two descriptions of planetary configurations given in Mahabharata.
  2. Dr Narhari Achar, professor of physics at the University of Memphis, has dated the Mahabharata war using astronomy, using regular planetarium software. According to his research conducted in 2004-05, the titanic clash between the Pandavas and the Kauravas took place in 3067 BC. Using the same software, Dr Achar places the year of Krishna’s birth at 3112 BC.
  3. In ancient history, there are tantalizing traces of Krishna. Megasthenes, the Greek ambassador in the court of Chandragupta Maurya (4th century BC), makes the first reference to the deification of Shree Krishna. He says that Heracles (who is closest to Shree Krishna) was held in high regard by the Sourasenoi (Surasena) who possessed two large cities, namely Methora (Mathura) and Cleisobora (Krishna Pura; that is, Vraja and Vrindavan).
  4. Underwater explorations conducted between 1983 and 1990 in Gulf of Khambhat, the archaeologists discovered a fortified foundation on which the ancient city walls of Dwarka must have been built along the river banks. Stone blocks used for the construction, pillars and irrigation systems were found. Marine scientists say archaeological remains discovered 36 m (120 ft) underwater in the Gulf of Cambay off the western coast of India could be over 9,000 years old. explorations conducted in the Gulf of Cambay waters revealed sandstone walls, a grid of streets and some evidence of a sea port 70 feet under water, and artefacts dating back to 7500BC. Artifacts were sent to the National Geophysical Research Institute (NGRI) in Hyderabad, India, the Birbal Sahni Institute of Paleobotany (BSIP) in Lucknow, India, and the Physical Research Laboratory in Ahmedabad, India. The piece of wood was carbon dated to an age of 9,500 years old. Carbon dating on debris recovered from the site, including construction material, pottery, sections of walls, beads, sculpture and human bones and teeth, put it at nearly 9,500 years old. (Underwater Cultural Heritage. A.S Gaur and K. H Vora. Current Science Volume 86 No 9 May 2004 and also mentioned on website UNESCO.org) 

Dr. S. Balakrishna of NASA, USA; Dr. B. N. Narahari Achar, Department of Physics, Memphis University, USA; Dr. R. N. Iyengar, Department of Civil Engineering, Bangalore; Dr. S. Kalyanaraman, Saraswati River Research Centre, Chennai and others submitted papers on the date of Mahabharata war based on Astronomical data with the use of Planetarium software at the two-day seminar in Bangalore, India between fifth and sixth January 2003 and agreed that there does not exist any contradiction between any two descriptions of planetary configurations given in
the 
Mahabharata.
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Sri Rama & Sri Rama Rajya

1/28/2022

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Sri Rama & Sri Rama Rajya
The Rama is not only for chanting but the role model for modern youth. The team builder, the team leader, the dharma, one who exemplified various relationships, the incarnation of almighty, the hope, the soul of people of Bharat.

Sri Rama can be simply described as a man who displays perfect moral as well as social behaviour. Sri Rama, in the words of Swami Vivekananda, is “the embodiment of truth, of morality, the ideal son, the ideal husband and above all, the ideal king”. He is a symbol of the victory of right over the evil. Lord Rama characterizes how a man should fulfil his moral commitments and should strictly follow his limits so that social order can be maintained. It is precisely due to this fact; he is known as “Marayada Puroshattam” or “The man of limits”.

Dr Hariom Pawar, the famous poet from Bulandshahr, Uttar Pradesh wrote a popular poem. Its excerpts are as under:
“…राम मिलेंगे मर्यादा से जीने में; राम मिलेंगे बजरंगी के सीने में; राम मिले हैं वचनबद्ध वनवासों में; राम मिले हैं केवट के विश्वासों में; राम मिले अनुसुइया की मानवता को;
राम मिले सीता जैसी पावनता को; राम मिले ममता की माँ कौशल्या को; राम मिले हैं पत्थर बनी आहिल्या को; राम नहीं मिलते मंदिर के फेरों में; राम मिले शबरी के झूठे बेरों में…”
 
“Ram would meet by living with dignity; Ram would meet in the heart of Sri Hanuman; Ram would meet in determined inhabitants of forests; Ram met in the beliefs of Kevat; Ram met Anusuiya's humanity; Ram met in Sita-like purity; Ram met to mother of love, Kaushalya; Ram met to stone-made Ahilya; Ram does not meet in visits to temples; Ram met in the partly eaten berries of Shabri”
Ram Rajya have been the symbol of good governance, progress, prosperity, and peace - the ideal form of governance. A study of ancient scriptures tells us that during Rama's rule, there was no room for pain, poverty, disease, grief, or discrimination. He provided immediate justice and the poor were not marginalised. Truth and non-violence were the creed people followed, without coercion, and out of free moral responsibility and self-discipline. Ram's own behaviour carved that consciousness in the hearts of the subjects. According to the concept of Ram Rajya, the king ought to practice austerity, generosity, kindness, be just, welfare-oriented and capable of caring and planning for his subjects.
 
Challenges faced by India today:
  1. Selfishness in relationships
  2. Discrimination based on caste, money, urban-rural divide etc.
  3. Terrorism 
  4. Growing Population
  5. Erosion of value system in the society
Sri Rama met these challenges in his time which set ideals for coming generations. These ideals are most relevant today. These are discussed with His life examples.
 
Selfishness in Relationship:
  1. Selfishness is gradually becoming centre of relationships these days. Can anybody imagine that the person (Sri Rama) who is going to be coronated as king of kingdom Ajodhya and everybody is in favour, decides instantly to sacrifice all luxuries & comforts without hesitation and go in exile to keep the promises of his father to his step mother.  King of Ajodhya, his wife & brother who were used to the luxuries, lived for fourteen years in forests and slept on the floor in huts and fed forest products.
  2. When Bharata went to forest to meet with Sri Rama and to bring Him back to Ajodhya. Sri Lakshamna was alarmed to see Bharata coming with huge procession and he suspected Bharata was coming to finish the unfinished work of his jealous mother who was responsible for Sri Rama’s exile. But Sri Rama believed in his love. Bharata argued with Rama to return to Ajodhya as emperor, but the latter steadfastly refused on the grounds that such a deed would be unrighteous. Bharata gave up his efforts to take Rama back to Ajodhya before the fourteen years’ exile elapsed. Though deeply disappointed, Bharata returned to Ajodhya after receiving a promise from Sri Rama that he would return promptly at the end of the fourteen years’ exile and ascend the throne. He vowed to Rama that if Rama did not return immediately when the fourteen years elapsed, he would give his life up by immolation.
 
Discrimination:
Sri Rama set an example to treat all equally.
  1. Despite born with silver spoon, they stayed for fourteen years in total deprivation without any grudge. Sri Rama along with Sri Lakshamna & Ma Sita visited a number of sages and other holy men during the exile and also befriended with a deprived and poor forest people.
  2. When Sri Rama, Sri Lakshmana, and Ma Sita needed to cross the river Ganges during fourteen years to stay in forests, they approached a kewat (Boatman, of lower caste) to ferry them across the river. The kewat promptly replied that he would ferry them only if Sri Rama allowed him to wash his feet with water as his feet had magic dust that converted anything they touched to a woman (in reference to the Ahilya episode). Sri Rama understood his intentions, and smilingly agreed. Kewat washed Rama's feet with extreme devotion and then invited them on the boat. When they reached the opposite bank, Sita tried to pay Kewat with her ring, as they had no money but kewat refused to accept fare and said that people belonging to the same profession do not charge each other. When Sri Rama did not understand the meaning of his words, kewat explained that while he ferried people from one bank of the river to the other, Sri Rama, the avatar of Lord Vishnu, ferried people from this world to the other side called moksha or liberation from the cycle of birth or death.
  3. While walking through Dandakarnya (Bastar, jagdalpur etc.) forest during exile, Sri Rama killed many rakshasas (demons) who were harassing the rishis (scientists) such as Viradha, khara, Dushana. Thus, he won the confidence of forest people and the sages who provided Sri Rama secret powerful mantras (formulae of dreaded ammunitions for winning the battles).
  4. When Ravana abducted Ma Sita and taken to Lanka, Sri Rama took help of one and sundry. Sri Rama took lead of Ma Sita from Jatayu (eagle), advices from monster kabandha, befriend with Sugriva, the vanras king who was living at Rishyamukha Mountains, and sought the help Sri Hanuman, Sugriva, Jamvan, etc.in rescuing Sita. Sri Rama did not take the help of any Kingdom around. Instead, he relied on Vanras army to secure Ma Sita.
  5. Sri Rama listened the plight of Sugriva, “how his brother Vali is chasing to kill him without any fault.” Sugriva was keen on regaining his kingdom and family. Sri Rama slayed Vali and gained the confidence of Sugriva. Besides, Sri Rama explained dying Vali the reasons for killing him which satisfied Vali. Dying Vali asked Sri Rama to take care of his son Angad.
  6. When Vibhishana was scolded by Ravana and asked him to leave, he sought sanctuary on lotus feet of Sri Rama. Sugriva and others were apprehensive about the intentions of Vibhishana. But Rama argued “when one comes to me for refuge, I cannot reject him.” This is dharma.  It illustrates the doctrine that Sri Rama accepts all who in absolute surrender seek shelter in his feet, regardless of their merits and demerits. Sri Rama accepted Vibhishana, the brother of Ravana and crowned him as king of Lanka and performed abhisheka with seawater, even before winning over Lanka. Shabari's hermitage was located on the banks of Lake Pampa, Kerala. When Rama and Lakshmana finally arrived at the hermitage, she was ecstatic and washed their feet. She offered them the berries she had collected the other day as she had nothing else to offer, but in her zeal, she tasted each berry herself first to make sure they were sweet. When she realized that she was offering Rama half eaten fruit, she was ashamed, but Rama ate them and told her that it was her love and devotion that mattered and not her situation in the world or what she offered.
 
Terrorism:
These days different form of terrorism is on rise which is impacting social and national security. Terrorism during the time of Sri Rama was also prevalent.  When Sri Rama was less than sixteen years old and not even completed the studies, rishi Vishvamitra demanded his help to kill the immensely strong rakshasas named Tadaka, Maricha and Subahu. They were harassing rishis by destroying their Yajnas. Raja Dasaratha, who was initially hesitant but later permitted Sri Rama and Sri Lakshamna to go along with rishi Vishvamitra to protect both rishis and their Yagnas. Sri Rama obeyed the directions of his father and proceeded to terrible forest along with his brother Sri Lakshamna and rishi Vishvamitra and slayed the rakshasas. Later, during fourteen years’ exile, Sri Rama killed many Rakshasas such as Viradha, khara, Dushana, Meghnath, Ravana etc. to protect the innocent citizens.
 
Growing Population:
In the olden times, people especially kings were generally holding more than one wife. Even the father of Sri Rama, Dasratha was having three wives. In those days, Sri Rama vowed to marry only once.
 
Sri Rama married with Ma Sita and had great love for his wife. He resisted any temptation that could come in the way of his love for his wife. He taught the way of life which eliminated crime against women. When demoness Shurpanakha disguises as a woman to seduce Rama, then stalks and harasses Rama's wife Sita after Rama refuses her. After Ravana was killed Mandodari came to Sri Rama and said, she has found one quality in Sri Rama that even the shadow of a woman other than his wife should not touch Him. Ravana, on the other hand, was willing to sacrifice so many lives in his attempt at making another man's wife his. Therein lies the difference. That one quality of Sri Rama has led to His victory, says Mandodari.
 
Erosion in value system:
India is facing the menace of corruption, dishonesty, violence, and deceit. The incidents of rape are increasing, corruption is entrenched at all the levels and violence is becoming acceptable in our society. It is here where we need Sri Rama again with us to tell us that it is his character that we need to emulate today. Sri Rama established a sound judicial system which ensured that every person is happy under his rule all times. Sri Rama was a selfless king who thought of his people before thinking about himself.          Tulsidas mentioned that in Ram Rajya, no one suffered at physically, spiritually and bodily. Everyone lived in harmony with affection towards each other while performing their own duties as described in the scriptures. All the four limbs of the Dharma – Truth, Purity, Compassion & Charity were fulfilled.
 

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Pre-Meditative & Meditative Asanas (Postures)

7/16/2021

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Pre-Meditative & Meditative Asanas (Postures)
 
Relaxation and Pre-meditative asanas may be done for relaxation and loosening up the legs respectively. Meditative asanas are the body positions usually sitting but also sometimes standing or reclining, used to facilitate meditation.
 
Relaxation Asanas: -
A few relaxation practices are
  1. Naukasana (boat pose) – In lying position, raising legs, arms & shoulders off the ground and pointing arms towards feet,
  2. Saithalyasana (animal relaxation pose) – In sitting position, folding the legs & stretching the hands in front and resting head between hands,
  3. Marjari-Asana (cat stretch pose) – standing on knees & hands and stretching spine upwards & downwards periodically,
  4. Shavasana (corpse pose – lying like corpse) etc. The practices give maximum benefit if attention is totally involved into practice. The practices are required to be done for minimum around ten minutes.
  5. Gomukhasana (Cow’s face pose) – Sit in hero’s pose (right leg folded above left leg or vice versa), knees one over the other, spine upright, head facing forward, raise the right arm & place the hand over the shoulder, place left hand behind the back & try to grasp both hands, close the eyes, final pose, stay for a few minutes, reverse the process with other leg & hand. Practice for ten minutes. It greatly helps in easing tension and to relieve ailments such as diabetes, high BP and sexual malfunctioning.
  6. Gupta padmasana (Hidden lotus pose) – this asana loosens up the legs, so that one is able to sit in padmasana for longer time. Process – sit in padmasana, using the arms, raise the body supported by knees, then slowly lean forward & rest the chest flat on the ground, place the palms together behind the back, rest the chin on the ground final pose, breath normally.
 
Pre-Meditative Asanas: -
  1. Poorna Titali Asana (full butterfly pose) – Sit on the floor, bend the knees, place the soles of both feet touching each other, try to keep the feet as near as possible towards the perineum, hold the feet with both hands, then gently move knees upwards & downwards, later hold & push the knees upwards & downwards (20 to 40 times).
  2. Kashtha Takshanasana (Chopping wood) – sit on the soles with knees separated apart, clasp the hands together & keep straight in the front, while inhaling raise the clasped & straightened hands upward, exhale while lowering the hands (10 to 20 times).
  3. Vayu Nishkasana (Wind releasing pose) – sit on the soles with knees separated apart, stand straight, while exhaling bend forward and grasp the feet with legs completely straight, while inhaling return to the standing position, hold the breath for short period, return to sitting position (10 times).
  4. Paschimottanasana (Back Stretching Pose) - This asana expands awareness by unleashing pranic energy currents which flows upwards within the Sushumna nadi. As such it is very useful for helping to bring about states of meditation. It tones up spinal & hamstring muscles and associated nerves. The asana tones up all abdominal organs, including the liver, pancreas, spleen, kidneys and adrenal glands. As such it helps to remove diabetes, flatulence, constipation, sexual maladies etc. People suffering from slipped disc or sciatica should not practice.
Sit on the floor, legs stretched out from the body, inhale deeply, place the hands on the knees, palms facing downwards, while exhaling, slowly bend head & trunk forwards, slide the hands along the legs towards the feet, aim to hold the big toes with the fingers & to touch the forehead to the knees (don’t strain), keep the legs perfectly straight, breathe in while holding the position, exhale while pull further forwards, repeat the procedure three or four times. Paschimottanasana should be followed by a backward bending such as bhujangasana or shalabhasana.

  1. Janu Sirhasana (Head to knee pose) – In Sanskrit, janu means ‘knee’ and sirsha means ‘head’. This asana has similar benefits as Paschimottnasana.
Sit on the floor, legs stretched out from the body, bend the left leg and place the sole of the foot against the inside surface of the right thigh & presses the perineum, left knee of the bent leg be on the ground, hold the spine straight, place both hands on the right thigh, inhale deeply, then breath out while leaning forwards and simultaneously sliding the hands along the top of the right leg stretching towards the right foot as far as possible, try to touch the forehead on the right knee, relax & breath normally in that position, inhale deeply, then while breathing out pull the head further forward, repeat 3 or 4 times.

  1. Ardha Padma Paschimottanasana (half lotus back stretching pose) – it similar to Janu Sirhasana except that the leg is folded on top of the opposite thigh and left arm is folded behind the back, if possible, try to grasp the left log toe. Benefits are almost similar to Janu Sirhasana and Paschimottnasana.
  2. Gatyatmak Paschimottanasana (Dynamic Back Stretch Pose) – This asana loosens up the whole body & same benefits as Paschimottanasana. Lie flat on the back, stretch the arms behind the head, relax whole body, raise the trunk to the sitting position, keeping the arms above head, do Paschimottanasana, repeat maximum ten times.
  3. Pada Prasar Paschimottanasana (Legs spread back stretch pose) – Sit with the legs straight & spread apart, clasp the hands behind the back, twist the trunk slightly to the right, keeping the arms straight & backwards, bend forward and try to touch the head to the right knees, repeat on left side. In another variation, try to touch the ground directly in front of the body with the forehead.
 
Meditative Asanas: -
During meditation, sitting asana position should be most stable and the body firm & immovable. This should not require efforts to keep spine upright. To sit long in the same position, loosening up of the legs is necessary which is possible by half butterfly and hip rotation.
  1. Padmasana (lotus Pose) – This is best meditative asana. It induces mental calmness. Sit with legs stretched forward, slowly fold one leg and place the foot on the thigh of the opposite leg, sole to face upwards with heel in the contact of the lower abdomen, then fold the other leg & place the foot on the opposite thigh, both knees should rest comfortably on the floor, hold the back & head upright without strain and close the eyes.
  2. Siddhasana (male accomplished pose) – this asana is equally good as Padmasana. In this asana, one of the heels applies pressure in the region of perineum. This pressure is necessary in various yogic practices such as mool bandha and vajroli mudra. This helps in awakening psychic centre (the mooladhara chakra).  Sit with legs stretched forward, slowly fold right leg (or left leg) and place the heel in such a way that it presses perineum, then fold the other leg & place the foot on the top of calf of opposite leg in such a way that it presses into pelvis immediately above genitals, genitals should lie between two heels, adjust the position of left toes into the space between the right calf and thigh muscles, both knees should rest comfortably on the floor, hold the back & head upright without strain and close the eyes.
  3. Siddha yoni asana (Accomplished pose for women) – This asana is equally good as Padmasana and similar to Siddhasana (except right heel presses firmly against the front of the vagina). This is for women.
  4. Swastikasana (Auspicious pose) – it is similar to Siddhasana / Siddha yoni asana and gives similar benefits. It does not press the area of mooladhara chakra. Sit with legs stretched forward, slowly fold left leg and place the foot near or in contact with the right thigh muscles, bend the right leg & push the right toes into the space between the left thigh and calf muscles, then pull the toes of the left leg upwards into the space between the right calf and thigh muscles.
  5. Ardha Padmasana (Half lotus pose) – This asana is used to prepare legs for Padmasana. Sit with legs stretched forward, slowly fold one leg and place the foot beside the thigh of the opposite leg, then fold the other leg and place the foot on top the thigh of other leg.
  6. Vajrasana (thunderbolt pose) – Kneel on the blanket with knees together or slightly apart, buttocks on the heels and placing hands on top of the legs near the knees.
  7. Veerasana (Hero Pose) – This is comfortable posture. Sit with legs stretched forward, bend the left leg & place the left foot so that it is under & to the side of the right buttock, now bend the right leg over the top of the left leg, placing the right foot beside the left buttock, arrange the position of the knees so that one is above the other, hold the nead, neck & back upright.
  8. Chankramanam – In Sanskrit the word chankramanam means wandering. It is a method of loosening up the body while maintaining one-pointedness of mind. It is walking sadhana without effort and distraction by inner thoughts or the external environment. It is intended to induce and maintain a state of antar mukhi while moving the body. Ramana Maharishi practised this. While walking, the head should lean forward so that he should be looking in the direction of the feet. He can chant mantra whisperingly or mentally.
 
For transmutation of the sexual energy –
Supta Vajrasana (Sleeping Thunderbolt pose) – this asana helps to transmute sexual energy into more subtle forms of energy. It also gives the benefits of matsyasana. To do this asana one should have supple back and flexible legs. Those with stiff legs should not attempt it. Process: Sit in vajrasana, knees could be together or separated, rest same as Matsyasana (lean slightly backwards, place the hands on the floor slightly behind & on the sides of the buttock, support the weight of the body on the straight arms, bend one of the arms, allowing forearm & elbow to rest on the ground, slowly bend the other arm so that both elbows rest on the ground behind the buttocks, bend the head backwards so that you can see the floor behind the head, stretch the neck as much as comfortable, slowly slide the arms forwards away from the head, lower the top of the head towards the ground, gently allow top of the head to support the body weight, relax the arms allowing head, buttocks & legs take the body weight, breathe slowly & deeply, stay in this final pose, return to the starting position. Alternatively, the arms can be folded behind the head).
 
Reference: A systematic Course in the Ancient Tantric Techniques of Yoga and Kriya – by Swami Satyananda Saraswati

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Sri Chaitanya Mahaprabhu & a brief story of his life

2/26/2021

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Sri Chaitanya Mahaprabhu was born at Mayapur near Navaidip, district Nadia (75 miles from Kolkata) West Bengal, who lived during 1486-1533. He was from Bengali Brahmin family. At sixteen, he was youngest professor in Nadia who attracted large numbers of students. He also challenged other scholars to debates in East Bengal and turned victorious.
 
Incarnation of Sri Krishna:
He is considered an avatar of Lord Krishna by his followers. Many supernatural phenomena were seen manifesting on the boy’s body. While sleeping a moon like aura was sometimes found floating over him and in his bed room many luminous figures appeared before his mother. He is believed to be Radha and Krishna came in one body.
 
Initiation for Worship of Radha-Krishna:
When he was around twenty years, he undertook a pilgrimage to Gaya, to perform pinda-rites for the salvation of his ancestors. After pida-rites, when worshipped at Vishnu-pada, he fell into trance. When he fell, an ascetic Isvara Puri supported him. After coming to normalcy, Sri Chaitanya requested Puri to help him realize a glimpse of Radha’s love for Sri Krishna. Isvara Puri initiated him into the Mantra for Sri Krishna worship. Immediately after initiation, his jovial mood was transformed into sorrowful mood. His soul tossed from sorrow to ecstasy and from ecstasy to sorrow.
 
Start of Sri Krishna Sankirtan:
After return from Gaya, he fell into trance a number of times and developed religious ecstasy. He failed to teach the students. Then he proposed to start Sri Krishna kirtan. The eight expressions of intense God-love – weeping, shivering, sweating, horripilation, fainting etc. – began to manifest in him. Such external manifestations of the onset of Sri Krishna prema were sometimes very uncontrollable and turbulent in nature. Once, he behaved strangely and declared himself as deity.
 
He and his followers started Sri Krishna Kirtans (Har Bol) from door to door to spread Sri Krishna bhakti.
 
When he was twenty four, the Radha mood began possess him more. He had taught Bhakti till then and now he wanted to teach Prema (intense love) by his own example. In Radha mood he began to heave sighs of longing, and manifest agonizing pangs of separation and collapsing.
 
Pilgrimage to Jagannath Puri:
He madly longed to go to Vrindavan. For five days he walked without food or rest through fields and forests and lost the way. He reached the residence of a Advaita Acharya at Santipur who persuaded him to go to Jagannath Puri. After reaching Puri temple, he rushed like one frenzied towards the image to embrace Jagannath and in the process fell down. There he met Pandit Vasudeva Sarvabhauma in Puri who advised Chaitanya that he was too young to be ascetic, that his devotional fervor, singing, dancing etc. were mere eccentricities and aberrations, and that he should now learn Vedanta under him. Chaitanya accepted the proposal. During taking lessons, the Pandit asked whether he was following his exposition, and got the shocking reply that Vedanta text was itself simple enough for him to understand, but he could not understand even a word of Shankara’s commentary. Then for a verse from Bhagavad Gita, the Pandit gave nine meanings, Chaitanya gave many more. Then the Pandit declared him full of Vedic wisdom. The Pandit surrendered himself to Chaitanya and prostrated at his feet.
 
When he got up and looked, he saw six armed divinity instead Chaitanya. The sight put him into a state of rapt Samadhi. Next day, Chaitanya told him: the law of Prema-Bhakti is as Radha had sung:  
 
“Listen! The flute my beloved is beckoning me. I must go. My beloved cannot be won without sacrifice. If you desire to capture Him, you must first surrender everything to Him.”
 
Pilgrimage along Eastern Coast, Southern & Western Parts of India:
Sri Chaitanya travelled along east coast to south up to Kanyakumari and visited several places such as Rajamundri near east Godavari, Kanyakumari, Madurai, Udupi (seat of Madhacharya’s religion), etc. He then passed through western and middle regions of India where he visited the famous Pandarpur in Maharashtra, Dwarka, etc. Then he travelled towards Puri passing through many holy places along the banks of Tapti, Narmada and Godavari. After the stay of three years at Puri, he left Puri and proceeded for Vrindavan. On the way, he stayed at Varanasi, Prayaga and Mathura. After a few months stay in Vrindavan, he returned to Prayaga. He converted a large number of Mohammedans not by the scriptures of Vaishnavism but by argument from the Quran. The descendants of those converts are still known as Pathan Vaishnavas.
 
Return to Puri:
Sri Chaitanya returned Puri from Prayag. He continued to stay at Puri for eighteen years, until His disappearance in His forty-eighth year at the time of Sankirtan in the temple of Tota Gopinath. During these 18 years, His life was one of settled love and piety. He was surrounded by numerous followers, all of whom were of the highest order of the Vaishnavas having spiritual love in Radha-Krishna. 
 
His Teachings:
  1. Chaitanya told that Vedas taught only Prema and Bhakti and not the conclusions of soulless logic and pedantry (meticulousness).
  2. He projected Krishna-bhakti as the means from transforming the sexuality, the seed of all sins and sufferings, in contrast to the way of pure renunciation for overcoming it (sexuality).  
  3. Sri Krishna cannot be won without sacrifice. If you desire to capture Him, you must first surrender everything to Him.
 
Reference: Bhakti Schools of Vedanta – by Swami Tapasyananda, Sri Ramakrishna Math, Chennai.
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Yogeshwar Shri Krishna, the Purnaavtara

2/5/2021

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“Krushnam vande jagat gurum” means I bow to Krishna, the teacher of the world.
 

Shri Krishna is historical figure and the Purnaavtara (complete incarnation) who appeared in this world on 18th July, 3102 BC, in the last part of Dwapar Yuga of 28th Manyavantra (around 5122 years ago).  He appeared before Ma Devaki as four armed Vishnu at mid-night, Sravani Krishna Astami. The Vishnu Purana stated that it was a dreadful night with heavy rain and violent wind. He was 8th incarnation (Avatar) of Vishnu Bhagwan. He lived and died for the fellow human beings. He shared the joys and sorrows of kings and commoners alike. Not only he transmitted the wisdom of Upanishads & Vedas in form of Bhagavad Gita, but His life was also lessons on bhakti yoga, karma yoga, jnana yoga and Raja Yoga. The four dimensional perspective of His personality has been attempted in this article.
 

No scripture could recount the entire life of Shri Krishna. It is told primarily through Srimad Bhagavatam, Garga Samhita, Visnu Purana, Brahmavaivarta Purana, Mahabharata, Harivamsa and several other puranas.
 
Why called as Purnaavtara (complete incarnation of the almighty):
Shri Krishna proclaimed himself as Almighty and liberated many during his lifetime. He performed several humanly impossible tasks, showed Virat form and extra-ordinary qualities.
  1. During childhood, one day, Balkrishna’s playmates complained to mother Yosada that He had eaten earth. Wanting to show His mouth, Ma Yashoda opened his mouth, she was astonished to see the entire universe inside Krishna’s mouth.
  2. When Shri Krishna went to Kuru Mahasabha with peace proposal on behalf of Pandavas. Duryodhna dismissed all the peace proposals and ordered his soldiers to arrest Shri Krishna. Shri Krishna laughed and displayed his divine form, radiating intense light.
  3. In chapter 11 (shloka 9-28) of Bhagwat Gita, there is mention that Shri Krishna showed Vishwaroopa (universal form) to Arjuna in the Kurukshetra war. Arjuna observed with divine eyes the whole universe in the supreme form of Shree Krishna having numerous mouths, arms, bellies and eyes on all ten directions, numerous wonderful sights, numerous divine ornaments, numerous divine weapons uplifted etc. Apart Arjuna, four persons saw Virat form of Shri Krishna viz. Hanuman (who was in flag of Arjuna above his chariot),
    Barbarika (son of Gatotkach, grandson of Bheema), Sanjay and Sri Krishna Dwaipayana Vedavyasa. All Deva/Devata, Yaksha, Gandharva, Kinnara, Kimpurusha, Naaga, Garuda, Apsaras seen this Vishvaroopa.
 
Shri Krishna is a perfect personification of divinity. He was a revolutionary of his time. He accomplished the protection of feeble & gentle, destruction of evil-doers and installation dharma. He believed that whenever popular righteous is in opposition, one should follow the higher cause of dharma.

He is symbol of compassion, tenderness, love, destroyer of evil-doers, perfect in his different roles, man of wisdom and above all yogeshwar.
  1. Symbol of love, music & dance and taught Bhakti Yoga –
In Braj, Balkrishna was loved by everybody. He spread pure love and happiness by playing flute, dance and childlike plays. Balkrishna performed Rasa Lila with gopis at the age of 8 years 3 months while Radharani was 3 years 3 months only. Dongra ji Maharaj has explained that Raaslila was not an ordinary meeting of man and woman but meeting of Jivatmas with Parmatama. This divine love was taught by Medieval Acharyas (Vallabhacharya, Sri Chaitanya Mahaprabhu etc.) as Bhakti yoga, one of the four paths of liberation. Shri Krishna-related literature has inspired numerous performance arts such as Bharatnatyam, Kathakali, Kuchipudi, Odissi and Manipuri dance.

  1. Destroyer of evil-doers and taught Karma Yoga –
    1. Since birth, he was attacked by a number of demons. By killing them, he proved that he is almighty.  He stayed in Braj up to the age of 11 years 6 months. During the stay in Gokula up to the age five years, he
      killed Putana, Sakatasura, Trinivarta demons. Balkrishna moved to Vrindavan at the age of five years to play with Gopis & Gopals. He stayed there for around three years. During the stay at Vrindavan, he killed Vatsasur, Bakasura, Aghasura, Aristasura, Kesi, Dhenukasura, Pralambasura & Kalia serpent.
    2. After the age of 11 and half years, he went to Mathura where he stayed another 10 years 6 months. He completed his studies and faced 17 attacks of Jarasandh.
    3. To avoid more bloodshed and losses, he left for Dwarka and built a large kingdom. He stayed there around 103 years and then left to Vaikunth on 23rd June, 3227 BC. During that period, Shri had slain a number of autocratic kings such as Kansa, Shishupal, Jarasanha (through Bhima), Narakasur etc.  

  1. Taught Jnana Yoga –
During the start of war between Kaurvas and Pandavas at Kurushetra, Arjuna fell in great sorrow and dilemma (confusion) that whether battle with the loved ones is justified. Shri Krishna removed the doubts of Arjuna through a clear description of the nature of the Atman and the origin and destruction of all created things. Shrimad Bhagavad Gita, the song of Bhagwan, is the dialogues of Shri Krishna and Arjuna. Bhagavad Gita is the most revered practical guide world over and is tip of ocean of bliss and knowledge. Bhagavad Gita exhorts the mankind towards work and not renunciation (not to become Sanyasi) through Karma Yoga. It is cream of Vedas and Upanishads, in most simple Sanskrit language. If Upanishads are cows, Shree Krishna is milkier, Bhagavad Gita is the divine nectar milked for entire humanity and Arjuna is the calf who first tasted it. Bhagavad Gita is translated in most languages in the world after Bible.
 
  1. Taught control over senses, balance in life and Yoga:
Shri Krishna is addressed as a Yogeshwar because he preached and practiced Yoga. He advocated complete balance in life, be it in food or behavior in society or in our Karma that is action in pursuance of duty to self and society. Sanjay had called Shri Krishna as the Yogeshwar. One who is Yogi and has an ability to teach the secrets of the Yoga (spiritual knowledge) is called, Yogeshwar. He taught secrets of Vedas and Upanishads.
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