The Puranas and Itihasas are history of various time periods and Bhakti-centric. Elaborate directions are prescribed therein for performing Puja (worship), when Bhakti is translated into action. In addition to Puja, Yajnas (ritualistic sacrifices), Shraddhas (death anniversary rites) and Tarpan (homage to ancestors) are all considered indispensable adjuncts to Vedic Dharma.
Why Puranas – The Vedic injunctions which are contained in the form of pithy statements are magnified or elaborated in the form of stories or anecdotes in the puranas. ‘Pura’ means in the past. Those that narrate things of the past are Purana. Puranas are indeed history. Eighteen Puranas add up to four thousand granthas or verses. A grantha is a sloka with thirty-two syllables. Of these, nearly one fourth or a hundred thousand slokas are taken by Skanda Purana. The balance of the seventeen Puranas contains three thousand granthas. In addition, Vyasa has produced the epic, “Mahabharata” which contains a hundred thousand granthas. What are requirements of Puranas – Purana has to fulfil five requirements in the matter – Sarga (original creation of the world), Prathisarga (how, after creation, the world grew with time), Vamsa (genealogy, how the descendants came from one generation to the next), Manvantara (the history of the fourteen Mnaus from whom all mankind descended, covering a period of one thousand 4-Yuga cycles) and Vamsaanucharita (the history of the rulers of the country, dynastic details like Surya Vamsa and Chandra Vamsa). In addition, it should also contain a description of this world in space. Here Purana acts not only as history but as geography too. Each Purana keeps a single deity as its main theme. The Puranas are broadly classifiable into three categories – those which are prone to the Vaishnava cult, Shiva cult and the Shakti cult, thus covering a large number and variety of deities. Why so many deities - God has made men with different mental capacities and attitudes. God assumes various forms congenial to the respective mental predilections, in order that each may worship a desired deity and come to a good end. That is why the supreme Parmatama takes many forms as different deities. Each one should have an unshakable faith in the chosen deity. They should be convinced that his deity is the supreme and ultimate Godhead and nothing can be above it. That is why in each manifestation, God shows himself as superior to the rest. The others are shown as worshipping the particular on and getting defeated in a conflict. The Shaiva Puranas are merely a collection of those stories where Shiva’s supremacy alone is shown. The Vaishnava Puranas would be a compilation of incidents which glorify Vishnu to the subordination of others. So also, in the other Puranas. Thus, the intention is not to run down any particular deity, but to converge the attention of the devotee on that deity to the exclusion of others. The aim is to glorify a particular deity and heighten the devotion to that deity and not to vilify the others. This is for “Ananya Bhakti”. How many Puranas – The eighteen Puranas are - Brahma Purana, Padma Purana, Vishnu, Shiva, Shrimad Bhagavata, Narada, Markandaya, Agni, Bhavishyat, Bhrama Vaivartha, Linga, Varaaha, Skanda, Vamana, Koorma, Matsya, Garuda and Brahmaṇḍa Purana.
How many Upapuranas – In addition to the eighteen Puranas, there are also eighteen “Upa” Puranas or auxiliary Puranas. Vinayaka Purana and Kalki Purana are among the Upa Puranas. Although they are said to be mainly eighteen in number, in actual fact, many more exist. As per list from the Kurma Purana, the 18 Upapuranas are — recited by (I) Sanat Kumara, then (2) the Narasimha, (3) Kapila, then (4) the Manava (or Vamana), then (5) the Usanas, (6) the Brahmaṇḍa, (7) the Varuna, (8) the Kaiika, (9) the Maheshwara, (10) the Samba, the Saura, (12) the Parasara (the Pravara), (13) the Bhagavata, (Kurma 1, 15—20). As per Parasara’s list — 1, the Sanat Kumdra, 2. the Narasimha, 3. the Nada, 4. the Shiva-Dharma, 5. the Daurvasa, 6. the Naradiya, 7. the Kapila, 8. the Manava, 9. the Usanas, 10. the Brahmanda, 11. the Varuna, 12. the Kali Purana, 13. the Vasistha, 14. the Lainga, 15. the Samba, 16. the Saura, 17. Parasara, 18. the Maricha, called also the Bhargava. How many Ittihases - The Ittihasses - Ramayana & Mahabharata are written by Valmiki and Vyasa respectively who actually witnessed the various incidents narrated. The itihasses are deemed to be as exalted as the Vedas themselves. Mahabharata is called the fifth Veda. As regards Ramayana, it is said that when the Purusha who can be known only by the Vedas took birth as Dashratha’s son, the Vedas also appeared as ‘Valmiki’s child in the form of Ramayana. Reference - The Vedas – by Pujasri Chandrasekharendra Saraswathi
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The four Upangas or appendices are Mimamsa – interpretation of Vedic texts (Purvamimamsa & Uttaramimamsa, Nyaya – logic (Nyaya-Vaisheshika), Puranas – old history (18 Mahapuranas, 18 Upapuranas and Itihasapuranas), Dharma Shastras - codes of conduct (Smritis Dharma sutras).
The Nyaya Shastra, also known as Tarka Shastra, is a shastra whose chief instrument of conviction is deduction. In Nyaya and Vaisheshika, the world and soul are deemed to exist separate from Ishvara which is actually the Dvaitic (Dualistic) Siddhanta. Both the schools of thought prove the existence of atma with the help of inference (anumana) and are recognized as systems of the same status (samanatantra). Yet the two schools of thought reveal certain distinctive features maintaining their identity. The Naiyayikas recognize sixteen categories while the Vaisheshikas only six. Nyaya shastra reasoned out why this world was created. Causes are of two kinds – Nimitta and Upadana. Nimitta is the person / Ishvara who is cause of this world. Upadana is the things or atoms which created the world. Likewise, purusha does not at all indulge in the act of creation, Prakriti derives its power, under the influence of Purusha, to create something out of itself. Ishvara does not interfere in any way as Nimitta. Prakriti thus manifests itself as creation. This is the doctrine of Sankhayas. This is also the theory of transformation. The Vaisheshika system maintains that the atoms are not created by God, but are co-eternal with Him. The power, however, which combines two atoms and makes aggregates of atoms, comes from God. According to this system ether, time, space, Atman or Self, and mind or manas, are eternal substances of nature. Mind or manas is described as infinitely small, like an atom (anu); but it is distinct from Atman or Self, which is vast (vibhu). Although mind and Atman or Self are eternal, still they are innumerable. The Self or Atman is distinct from the senses, and possesses nine qualities, such as knowledge, will, desire, happiness, etc. Exponents of Nyaya Shastra - The Nyaya School grounded in Gautama Akshapada’s Nyaya sutra and the Vaisheshika School grounded in Kanada’s Vaisheshika Sutra developed in parallel until around 10th, 11thand 12th century and later merged to form a new school–Syncretic school or Nyaya -Vaisheshika school. The term Vaisheshika is derived from the Sanskrit word vishesha which means the characteristic that distinguishes a particular thing from all other things Fundamentals of Nyaya –
Nyaya system begins with the enumeration of sixteen padartha has, or subjects for discussion: (1) pramana, proof or means of knowledge; (2) prameya, or objects of knowledge; (3) samshaya, or doubt; (4) prayojana, motive or purpose; (5) dristanta, example or instance; (6) siddhanta, or determined truth; (7) avayava, syllogism or premisses; (8) tarka, reasoning or confutation; (9) nirnaya, or conclusion; (10) vada, or argumentation; (11) jalpa, or sophistry; (12) vitanda, objection; (13) hetvabhasa, or fallacies; (14) chhala, quibble or perversion; (15) jati, or false analogies; and, (16) nigrahasthana, or unfitness for arguing.
External perception, on the other hand, takes place when the five sense organs of sight, sound, touch, taste and smell come into contact with the external objects. Perception is further divided into two namely nirvikalpaka (indeterminate) and savikalpaka (determinate). Bare sensation or simple apprehension is nirvikalpaka perception; while the perceptual judgment or relational apprehension is savikalpaka perception. Indeterminate perception refers to the awareness of an object which is non-relational and nonjudgmental; whereas determinate perception is the awareness of an object with its quality (genes). Extra-ordinary perception is classified into three: samanyalakshana, jnanalakshana and yogaja. The perception of generic character comes under samanyalakshana. For example, seeing a cow, one immediately becomes aware of the samanya (class essence) of it i.e., the gotva (the cowness). Jnanalakshana is that type of knowledge of a thing previously experienced. E.g., Fragrance of jasmine. Yogaja is the intuitive perception of all object’s past, distant and future due to some super normal powers generated in the mind by meditation. Thus, perception is the most important Pramana.
The Vedas have four Upangas or appendices which are Mimamsa – interpretation of Vedic texts (Purvamimamsa & Uttaramimamsa, Nyaya – logic (Nyaya-Vaisheshika), Puranas – old history (18 Mahapuranas, 18 Upapuranas and Itihasapuranas), Dharma Shastras - codes of conduct (Smritis Dharma sutras).
The term Mimamsa is derived from the Sanskrit root "man" — "to think, consider, examine, or investigate." Here the term, etymologically means — "desire to cogitate" and is used to signify a thorough consideration, examination, or investigation of the meaning of Vedic Texts. Mimamsa means reasoned conclusion. Mimamsa deals with the purport and significance of the various mantras and how the correct conclusions have to be drawn regarding the significance of Veda mantras. Writer of Mimamsa – Rules of Mimamsa were first reduced in writing in a systematic manner by the sage Jaimini. Divisions of Mimamsa - In Mimamsa, there are two divisions – Poorva Mimamsa and Uttara Mimamsa. Poorva Mimamsa stresses the importance of sacrifices and rituals mentioned in the karma Kanda of the Vedas while Uttara Mimamsa emphasises the importance of self-realisation, which is the main theme of the jnana Kanda of the Vedas. Principles of Mimamsa – All rituals, ceremonies and meditations enjoined in the Veda, no matter how meaningless they appear on the surface are said to lead ultimately to spiritual evolution and enlightenment. Mimamsa endeavours to show how they are all based on Dharma and lead to the spiritual welfare of all beings. Mimamsa interprets the Veda on the basis that eternal beatitude is attainable by the correct performance of rituals founded on Dharma (i.e. practice), thereby storing up merit which will fructify in the next life. Methodology of analysis in Mimamsa – Its entire methodology is dependent upon the basic premise of Right Action (Dharma) which can be established and validated by the means of knowledge taught by the Nyaya-Shastra. The Nyaya shastra discusses the fundamental Truth through the aid of four devices viz. Pratyaksha (direct perception), Annumana (indirect perception, proof arising from deduction), Upamana (Simile or example) and Shabda (Sound). In Mimamsa, the interpretation of the text at one place should be consistently carried over to the other places. In the 1000 Adhikarnas a thousand types of problems are taken up and various arguments against an apparent explanation are raised before coming to a conclusion. This process of analysis is Mimamsa.
Karma & Mimamsa – All actions (karma), according to Mimaṃsa are said to have two effects -
A Vidhi is a statement that induces one to act. Actions create samskaras (mental impressions or “subliminal activators”) through their positive and negative results, they are, therefore the seeds, planted in the mind, of future activity and resulting effects both good and bad — Karma. Vidhi consists of three parts — What? Through what? & How? These three aspects of the Vidhi are technically known as: --
There are another 3 sub-Vidhis: --
Karma & Ishvara - The two attributes of Ishvara are mentioned in the Vedas and Brahmsutra viz. creation of the phenomenal universe and the regulation of the results of one’s karma were negated, the former by the Samkhyas and the latter by Mimamsakas. The reason why Mimamsakas held the view that God was not the Phala Daata was that, in their opinion, every act carried its fruit with it, that any action had a corresponding reaction irrespective of Ishvara. They believed that the proper performance of Karmas as prescribed in the Vedas are certain to yield merit or demerit. Bad deeds will certainly yield bad results. Good actions yield good results. We cannot remain idle as Sri Krishna has informed in Bhagavat Gita. Karmas are of three kinds – Nitya, Naimittika and Kaamya. The Nitya karmas are those performed at all times, on all days as a matter of duty. What is done on a special occasion is Naimittika. For example, taking bath and offering ablutions to dead ancestors etc. at the time of an eclipse is “Naimittika”. These Nity and Naimittika duties should be scrupulously done by all. The third karma “Kamya” is what is done to achieve any desired objective. Our earlier karmas have decided our caste in this birth. We should, therefore, regulate our actions in accordance therewith. If we do not do so, inconvenience, if not bad results, would follow. Karma is all in all. This is the doctrine of the Mimamsakas. Doctrine of Vedic Karma & Chitta Shuddhi - Adi Shankaracharya said, “If the aim of the Vedic text is to lead to a stage where the end result is ‘no action’, it fulfils the requirement of Veda (as acceptable to Mimamsakas)”. Mimamsakas accept the wisdom of Veda which puts a ban on a number of actions. The ultimate stage in Adi Sankara’s doctrine was giving up of the rituals and concentrating the mind on the infinite. But, unlike Buddha, he did not recommend that, even at the initial stages, the Vedic karmas should be ignored but only after attaining mental purity, as a result of the performance thereof, should one turn to introspection and enquiry into self. First, one has to abide by the karmas, as stipulated in the Mimamsa and go ultimately to the stage of Buddhist cult of giving them up. Lord Krishna said in Bhagavad Gita, all karmas ultimately lead to and find their rest in Jnana or knowledge. all activity should be directed towards the supreme lord. Total abstinence from any kind of activity is the ultimate goal. It is supreme bliss or Brahmadanda. This is supreme message and purpose of the Vedas. The whole of karma Kanda should lead to and manage with the jnana Kanda. Only then the former becomes meaningful. The Vedas contain commands for ‘karma’ (Vedic activities) in the karma Kanda only, because the limited purpose of purifying and discipling the mind (Chitta Suddhi) is obtainable thereby. Although initially, sinful acts bestow pleasure and satisfaction mostly sensual, in the long run they preclude us from partaking of the higher bliss or happiness. First, the mind should be cleansed of impurities. Karma alone is able to hold the mind in the line which is for even beset by waves after waves of thoughts. Therefore, the ritualistic Vedic karmas have to be faithfully performed. In so doing, one must turn the mind away from the benefits which such karmas can bestow, e.g., pleasures, heaven, etc. In other words. After practicing to do the karma, the reward arising therefrom should be deliberately eschewed. As a result, the impurities which are natural to the mind are removed. Shri Sankara’s Advaita, Shri Ramanuja’s Vashistaadavita and Shri Madhva’s Dvaita are verily Vedantic doctrines. Like the Advaita, the other two philosophies also insist on the performance of Vedic karmas. Therefore, as a general rule, up to a point, the doctrine of Mimamsa is acceptable to all the three Vedic philosophies. Reference –
The Vedangas are the limbs of Vedas which led the development of Vedic language. The Vedangas or auxiliaries to the Vedas are of six disciplines. These are Shiksha – Euphony & Pronunciation, Vyaakarna – Grammer, Chhandas – metre, Nirukta – Etymology, Jyotisha – Astronomy, Kalpa – Ritual & Traditions.
Foundation of Vedangas – As a part of evolution (Shiksha), the culmination of language as rhythms and meters (Chhanda), the realization of the causation (Karana) language systems as a deeper system of consonants, vowels, syntaxes and semantics (Vyakarana), the collapse of all that to a larger embedded pool of conscious flow of interdependence and etymons (Nirukta) leading to a Universal in a nutshell or seed Logos integrating time (Kalpa) and diverse manifestation (Jyotisha) is the whole foundation of Vedangas. Importance of the Vedangas - After thoroughly understanding of extensiveness and intensiveness of Vedangas, it can easily be concluded that Vedic language was developed to its pinnacle a few thousand years before Christ which even most developed & modern languages cannot touch upon. The Vedangas played an important role in maintaining the purity and integrity of the Vedic tradition. For centuries they taught and continue to teach Vedic students how to recite the Vedic hymns, understand their meaning and perform the various rituals and ceremonies strictly according to the established procedures. Their study inculcates among its students a sense of discipline and respect for tradition and helps them conduct themselves in society as upholders of the Vedic dharma and traditional family values. Shiksha – Education – Nose & Lungs of Vedas - Of the six organs of Vedas, the most primary Anga is Shiksha. Shiksha composed for pure pronunciation of Vedic Chants. It has focussed on Sanskrit letters, accent and melody. Just as the nose enables us to breathe which, in turn, sustains the life force, Shiksha is the life breath of the Veda mantras. It represents the study of sounds and pronunciation associated with each syllable that constitute the mantra. The Shiksha Shastra says that 51 syllables of Sanskrit language represent the various parts of Parashakti’s body and even define which syllables represents which part. Mantras can result only if the requirements of syllable and tonal purity is fully satisfied. Sounds of various languages have various effects. Unless Sanskrit language, the efficacy of sound of mantra is lost. Shiksha is driven by the phonetics and the phonology of pronunciation, as a process of internalization. The focus of Shiksha is on understanding the range and deep taxonomy of Sanskrit alphabets. Each letter of the Veda mantra must be uttered correctly within duration of time, as laid down. This is called Akshara Shuddhi – syllable purity. In addition to the time duration, there are rules as to the pitch of sound – high, middle or low. This is called Swara Shuddhi – tonal purity. Phonetics are most important in the case of the Vedic language, because we see that change in sound leads to change in results and effect. Hence, Shiksha which is Vedic Phonetics has been regarded as the most important of the six Angas (organs) of Veda Purusha. Lastly, duration (Matara) of sound – short and long, is important. Matters such as how to pronounce compound and compounded words without splitting them into syllables and certain guidelines necessary for those learning to chant Vedas are contained in the Shiksha Sastra. However, minor variations are permissible in tone and pitch. Chhandas – Metric Composition – Feet of Vedas - Chhanda represents the next step. The simple word analogous to Chhanda is chant. Chanda bounded all the rhymes and rhythmic system of Vedic chants properly. It has focussed on the poetic meters. With Chhanda, the Yogi gets an access to the mastery of rhyme and meter of the mantras. Vedas are mostly in verse-form (Chhandas). A verse has to have a specified ‘metre’ and number of letters in it, to obtain a good fit. All the Veda mantras in the form of poetry are ‘Chhandas’. The others, i.e. those which are not part of Vedas are called ‘Slokas’. Prose is called ‘Gadya’ and Chhandas (Poetry) is called ‘Padya’ in Sanskrit. Indra Vajra, Upendra Vajra, Sragdhara etc. are some of the many metres used in strotras and kaavyas. Eight syllables – Anushtup; Nine Syllables – Brhatee; Ten – Pagati; Eleven – Trishtup; Twelve – Jagati; twenty-six – Udkrti (Bhujanga Vijrmbhitam); Beyond twenty-eight – Dandakam. The letters in a certain metre go leaping like a tiger. This is called ‘Sardola Vikreeditam. The metre which sounds like a creeping snake is called ‘Bhujanga Prayatam’. The Soundarya Lahari of the Adi Shankaracharya is in the ‘Sikarini’ metre. Here each pada has 17 syllables. If the 17 syllables are split into 6 & 11, it is called ‘Sikharini’. In some poetic hymns, the 24-syllable Gayatri metre is split into four padas with six letters in each. Each mantra is dedicated to a Devata. Therefore, each mantra has a presiding deity. There is a chhandas especially for it and there is a rishi who gave it to the world. The rishi who brought it to the knowledge of the world is the rishi of the mantra. When one touches his head on repeating the name of the rishi, before starting the mantra, it is symbolically placing the feet of the sage on one’s head as a mark of reverence, because the mantras were made available to us only through sages. Vyaakarana – Grammer – Mouth of Vedas – Grammar simplified the usage of Vedic Chants and decoding their roots of words. grammar and linguistic analysis. It has focussed on grammatical rules. It also analysis the linguistics to establish the words and sentences form to express properly. Vyaakaraṇa means “separation, distinction, discrimination, analysis, explanation” of the constituent mantra. It is language analysis, which augments a writer or a composer to express his or her creative will be based on the norms of the Cosmic Word, and help a reader discriminate accurate language, from disjointed and disorganized ones. Language system therefore evolves to express the transient material world first. Thereafter, the objective is to express the subtle and the psychic feelings, which is next; and finally, to arrive at the flux of causation (Karana) by which the eternal human desire for understanding the full meaning of life and its position in the universe, are best targeted. Vyaakarana propounds the ‘Shabda Brahma Vaada’ – the theory that sound and infinite are inter-linked. When the sounds are properly understood and used as speech, we can not only communicate our thoughts but also strive for self-purification. Nataraja gave fourteen different beats or rhythmic sounds. With the aid of the fourteen sounds that were produced (on the damaru) at the time of the conclusion of the cosmic dance, Lord Shiva laid the foundation of the Vyaakarnas Sutras. The fourteen sutras were committed to the memory by Paanini and on that basis he wrote the basic text called ‘Ashtaashyaayi’ so called because it contains eight chapter. Niruktam – Etymology – Ears of Vedas Each sound has its root too. In English, only verbs have roots, not nouns. But in the Sanskrit, all words have roots. Nirukta break up each word into its component roots and analyses its meaning. Nirukta means “a system of expression which is uttered, pronounced, explained, expressed, defined, and made loud, with full awareness of its origin and the purpose of going away from that origin. It is like a movement from a Tree to its fruits, and the seed, from where the next Tree is re-sprouted. Thus, death and resurrection of a vegetation or agrarian cycle are also evident in the rules of the Cosmos. Jyotisha – Astrology – Eyes of Vedas Modern science merely indicates the planetary positions at various points of time. The science of astrology in conjunction with and based on astronomy, deals with the questions such as “How does it affect us”. On earth, the fate of man changes in the same way as the movement of planets. Lean times, prosperous periods, misery, happiness, high position, fall therefrom – such are the changing fortunes of man. Such changes are not confined only to man. Institutions and even countries have their run of good and bad times. The planetary disposition is determined by earlier karma. Disease appears and the mind is disturbed. Psychic forces also prevail. All these are the results of a single karma. This can be proved on the basis of each one of the causes attributed to the mishap. But the method of calculation used in planetary movements is the easiest. A sacrifice performed on the basis of the injunctions in regard to the proper structure and construction of the Yajna Vedi yields favourable results. So, it became necessary to accurately calculate these requirements to conform to specifications. On this account, mathematics has been developed as an auxiliary organ (Upaanga) of Vedas which contains Arithmetic, Geometry & Algebra. The origin of creation timed through astronomical calculations (Jyotisha) is said to near about the same time as what is arrived at by modern research. The Kaliyuga has 4,32,000 years. The Dwaperyuga has twice (8,64,000) years. Tretayuga has thrice (12,96,000) years. Kritayuga has four times (43,20,000) years. All the four together, called a Mahayuga, has 43,20,000 years. The duration of the reign of a Manu is called “Manvantaram”. A single manvantra has 71 chatur Yugas. One thousand such Mahayugas make the period of the reign of the fourteen Manus. Fourteen Manus constitute a day (which does not include his night). In other words, 86400 lac years constitute one year of Brahma. 365 such days constitute one year of Brahma. On this basis his life span is 100 such years. The duration of this Universe is the same. Kalpa – Rituals & Traditions – Arms of Vedas Kalpa focused on ritualistic events of life and discussed about different stages of life. It has standardized procedures for Vedic rituals. Specially for life events like birth, wedding and death in family. Kalpa has also discussed about different stages of his life. Kalpa became the most important Sanskrit word as it forwards a long scheme of the temporal scale of the Vedic time, scale and gravity. The wheel of Time is a system that is “proper, competent, and therefore sacred over time”. The dynamics of evolution and involution and the interrelationship between the two as the microcosm (pinda) and the macrocosm (Brahmanda) provides the causation of the ceremonial and the manifested over time. The chain of four quadrants, or the 12 suns or the signs of Zodiacs, represent the Shrauta sutras in Kalpa Shastras. Kalpa deals with matters such as how should a particular ritual be done; what functions or karma should be performed by man of each caste or verna or ashrams; which ritual involves which Mantra, which materials, which Devata; how many Ritviks (Priests) should be employed; what vessels of what shape and size should be used. The Kalpa Sutra detail the forty samskaras and eight Aatma gunas. Barring the fourteen Havir-Soma Yajnas, the remaining 26 are mentioned in the Grihya Sutra. The eight Aatma gunas are – compassion (daya), patience (Kshama), absence of anger & envy (Anasuya), cleanliness (Soucha), absence of obstinacy, sweet nature, lack of greed and absence of desire. Kalpa teaches us every job. How he should sit, how he should eat, how he should wear his clothes, how houses to be built and where agni to be lit for Homa. Reference - The Vedas – by Pujasri Chandrasekharendra Saraswathi |
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